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Alright, a bit of full disclosure to start - I don't think I've seen a Paul Naschy movie until now. I know, I know, that's pretty shocking for any serious fan of horror movies. I'm well versed in the Italian branch of the Euro horror family tree, particularly the giallos of Argento, Fulci, Bava etc. But I've been quite lax in my efforts to investigate the Spanish branch, despite regularly hearing Naschy's name bandied around with that of fellow countryman Jesse Franco (another hole in my viewing experience). Anyway, that admission aside, I do realise that **The People Who Own The Dark** is not a typical Naschy film. Here he has something of a supporting role, and a convetional one at that, but he does team up with regular collaborator Klimovsky, the Argentinian director who directed eight of his films. **The People Who Own The Dark** is an effective post-nuclear survival tale that throws together a group of rich, influential men (including Naschy; Alberto de Mendoza, **THE CASE OF THE SCORPION'S TAIL**; and Antonio Mayans, **ZOMBIE LAKE**) with a number of beautiful models for a weekend of pleasure in the basement of a castle somewhere in Europe - kind of an upmarket swingers' retreat. But before they can get down to business, nuclear war breaks out. The guests are safe in their underground bunker, but everyone else in the surrounding countryside, including a nearby village, is left blind by the blast. Venturing out to get supplies, the group of protagonists soon realises these blinded, half-insane villagers are not interested in becoming facebook friends. They want to kill the sighted (how they know the difference is beyond me, but what the heck). Barricading themselves in the castle, the non-blind soon have to cope with the growing tension and paranoia in their group, as well as the villagers when they come looking for blood. Well, not exactly looking. More like stumbling. Naschy is great as the snake of the group, who is only interested in saving his own skin. The women are all beautiful, none moreso than German softcore queen Nadiuska (who also played Arnie's mother in **CONAN THE BARBARIAN**), who is the only one to get fully un-kitted. The female cast also includes Julia Saly (**NIGHT OF THE WEREWOLF**), Diana Polakov (in a supporting role four years before her feature role in the rip-roaring **SUPERSONIC MAN**) and Teresa Gimpera (**CRYPT OF THE LIVING DEAD**). Maria Perschy (**MURDERS IN THE RUE MORGUE**) is simply stunning as the host of the party. Klimovsky does a very good job of building suspense and dread with material that could have come off as corny. Scenes of dozens of blinded people surrounding a main character while waving walking sticks above their heads could have been campy, but instead is quite chilling. Comparisons with **Night of the Living Dead** are unavoidable. Trade zombies for staggering blind people, Pennsylvania for the European countryside and a farmhouse for a castle and you've got basically the same plot. Even the ending is similarly-bleak. But while it may be a ripoff of sorts, **The People Who Own The Dark** is effectively filmed with a great cast, so is definitely worth checking out.
A young woman goes to teach at the Ravenscroft Institute, a spooky old girls' school overrun by ants and staffed by some unusual types. Spurred on by a series of horrific hallucinations, she begins to investigate the mysterious disappearances of several students.
Haruto is a freshman and a loner high school student until the arrival of the new teacher Aoyama. Aoyama cares for Haruto and starts to exchange letters with him, as something more grows inside both of them. But one night, an unexpected kiss ends their beautiful relationship. Three years later, Haruto has become a male prostitute in order to pay back his debts, when he reunites with Aoyama by chance.
A woman is tormented by dreams that she is the reincarnation of a dead countess. Her father, trying to get her to stop the dreams, takes her to a village near the castle of the late countess. In the village she meets a reporter who is investigating reports of the deaths of two young women who it is believed were killed by a creature that lives in the castle.
A woman is plagued by dreams of being buried alive while her adulterous husband, steeped in gambling debts, hatches a scheme to drive her mad and murder her to acquire her fortune.
An evil witch brings back to life the infamous Elizabeth Bathory, who was executed several hundred years previously for murdering young women and bathing in their blood.
As the world falls, young Furiosa is snatched from the Green Place of Many Mothers into the hands of a great biker horde led by the warlord Dementus. Sweeping through the wasteland, they encounter the citadel presided over by Immortan Joe. The two tyrants wage war for dominance, and Furiosa must survive many trials as she puts together the means to find her way home.
Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.
Joshua and Penelope are survivors of a deadly infection that laid waste to humanity 25 years ago. When they encounter fellow survivor Abira, their lives are forever changed as they fight off the remnants of the infected.
The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.
The world's water supply has dried up due to some sort of apocalypse. A beautiful woman holds the secret to where one of the last springs being guarded by a group of Amazons. A "Road Warrior" like crew captures her and tries to make her talk through brutal torture. The hero (Stryker) unites with some of the remaining "good guys" and the Amazons and frees the woman. They go on to a "Road Warrior" type of concluding battle with the bad guys.
