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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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Watchmen Chapter II 2024 - Movies (Jan 12th)
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George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
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48 Hours - (Jan 12th)
Homestead- The Series - (Jan 12th)
James Martins Saturday Morning - (Jan 12th)
Lidias Kitchen - (Jan 12th)
Accident, Suicide or Murder - (Jan 12th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
On Patrol- Live - (Jan 12th)
The Wizard of Paws - (Jan 12th)
Bit disappointed by this film. I saw the amazing short that was the basis for this film a few years ago, and it packed more punch in 7 minutes than this version packs in 105 minutes. Everyone does their job well, the acting is uniformly good, the cinematography and setting are great. The problem is, the story is too thin and lacks depth. There are a couple of interesting ideas, the 48 hour time-line of the infection, the wrist bands counting down the 48 hours. But the padding of the plot feels forced and ultimately unnecessary. Everything could have been and probably should have been wrapped up in a much shorter time frame, and that is why the short film worked so well. All in all, it was a good enough film, but considering the source it should have been amazing. 6/10
Had kind of hoped for more, but this is okay. _Cargo_ isn't **exactly** like any other zombie deal out there though, so if your demands are low enough, there's some value. Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.
Bad watch, might watch again, and can recommend for survival / zombie fans. I'm not a big fan of Martin Freeman, but he's a decent actor, and boy do you get a lot of him. Anthony Hayes makes a decent villain, but Caren Pistorius doesn't get much else to do other than "be pretty". Susie Porter and Simone Landers give great performances, but they feel terribly underplayed, maybe because they almost share a role. It feels like most of the time the actors weren't on board with the movie, they were there, they showed up and read their lines, but there aren't a lot of scenes that feel big. Honestly it really drags on, not only are you dealing with the isolationist effect of being in wide stretches of wilderness, but even when they get where they're going, there is nothing, and they do almost nothing, a lot. With one of the main characters being a baby, there just isn't a lot of dialogue happening, and the key interactions we get are heavy philosophical moments, far too centered on human rights for the majority. It's not that the movie is "bad", and ultimately I like it for the survivor's story, it's that it's mostly empty. There is a version of this story that you could do as a twilight episode and it would probably be better because you have to make every moment count, where this seems to be filling the run time.
Ever since she was a little girl, Iris has wanted to be a filmmaker. For the last five years though, she's been trapped working in reality television, directing episodes for a series that's barely able to compete with Ghost Hunters. Iris sees her big chance to prove herself when she gets sent on assignment to her hometown of Black Falls, a small town harboring an abandoned insane asylum that has a dark history of excessive shock therapy. Filming inside the asylum brings back childhood memories for Iris, memories of sneaking into the asylum with her friends to shoot homemade horror movies. Little does Iris know, her life is about to imitate her art.
The relationship between renowned scientist Albert Einstein and his first wife, Mileva Marić.
On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come.
'OG' is a film about a legendary, Brazilian born, NYC skateboarder, Harry Jumonji. In the course of telling his story, through his triumphs and travails, Jumonji emerges in this portrait as an adolescent innocent, much like skateboarding itself. He is irrepressible, manically energetic and ultimately, pure. He has a transcendent presence, well beyond charm or charisma, of such unalloyed joy that nothing he does is unforgiveable. This is fortunate because, as a drug addict, unsurprisingly, he lies, cheats and steals. Harry is rendered as the poet, the sprite, the artist and the street saint he is.
A noir vision of a paranoid and dangerous Buenos Aires where a group of diverse Porteños are fatefully linked by a brutal killing.
An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a 'live in the now' mentality, Cristina's second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina's journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love... what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.
During a ceremony in an orthodox church in Paris, a 40-year-old writer and journalist is seduced by a young man, whom with she will live an extraordinary story of love and passion that will drive them to madness.
Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.
Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.