Resynator 2024 - Movies (Jan 13th)
Memoir of a Snail 2024 - Movies (Jan 13th)
Lick 2024 - Movies (Jan 13th)
Singing in My Sleep 2024 - Movies (Jan 13th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Ghost Cat Anzu 2024 - Movies (Jan 13th)
Daniel Sloss Hubris 2024 - Movies (Jan 12th)
The Room Next Door 2024 - Movies (Jan 12th)
Polar Opposites 2025 - Movies (Jan 12th)
Moon Maidens 2 2024 - Movies (Jan 12th)
Putin 2024 - Movies (Jan 12th)
The Last Showgirl 2024 - Movies (Jan 12th)
Behave 2024 - Movies (Jan 12th)
The Darkening Hour 2024 - Movies (Jan 12th)
The Death That Awaits 2024 - Movies (Jan 12th)
Watchmen Chapter II 2024 - Movies (Jan 12th)
The Gardener 2025 - Movies (Jan 11th)
Absolution 2024 - Movies (Jan 11th)
Nobody Asked - (Jan 13th)
24 Hours in Police Custody - (Jan 13th)
Bargain-Loving Brits in the Sun - (Jan 13th)
The Repair Shop on the Road - (Jan 13th)
Katy Tur Reports - (Jan 13th)
Richard Osmans House of Games - (Jan 13th)
Traffic Cops - (Jan 13th)
Chris Jansing Reports - (Jan 13th)
Panorama - (Jan 13th)
Andrea Mitchell Reports - (Jan 13th)
Room to Improve - (Jan 13th)
Deal or No Deal - (Jan 13th)
The Chase - (Jan 13th)
Junior Bake Off - (Jan 13th)
The Bidding Room - (Jan 13th)
I Escaped to the Country - (Jan 13th)
Great Performances - (Jan 13th)
Pictionary - (Jan 13th)
Wipeout - (Jan 13th)
Crime Beat - (Jan 13th)
So-so. Tough to hear the specifics, but unfortunately not all that surprising. Very cool to find out about the voluntary Fair Food Program. Didn't realize RFK would make an appearance.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
Arguably Russia’s most famous folk song, Dark Eyes has captured hearts around the world for the past 100 years. This portrait explores the song’s somewhat controversial history, its musical versatility and its cultural relevance. Performances by Louis Armstrong, Frank Sinatra, Liberace, a 13-piece orchestra and a Russian folk group make it clear why Dark Eyes has stood the test of time.
Follows Yo, Siyuan and Mia, three young women who, using the mobile application Replika, have formed romantic relationships with virtual partners. This short documentary captures the richness of these bonds, from philosophical questions to intimate moments to the real sense of security and companionship afforded by these artificially intelligent lovers.
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
Focusing on five of them, this documentary pays tribute to the wealthy women who, under the Ancien Régime, promoted scholars and artists, and paved the way for female emancipation through their intellectual independence.
For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.