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This movie got love, death, and marriage. This movie also plays heavy into hypnosis. The cat is the true star of the movie, getting more screen time than Vincent almost. The pace is great and so is the unfolding of this story. Nothing gore and bloody, but it does keep suspense and the macabre in tact throughout. Although not the strongest in the Poe series that Corman did, it is still a movie that can entertain. Also if Disney wasn't using the title, I feel they could've used "That darn cat!" as a movie title. But it wouldn't pack a punch like Tomb of the Cat or the one it has now.
_**The black cat from hell at a manor in Victorian Britain**_ Amidst a crumbling castle in 19th century England, a widowed aristocrat (Vincent Price) mourns his wife, but quickly develops a new romantic relationship after meeting the forceful Rowena (Elizabeth Shepherd). Yet the soul of Ligeia seems to be haunting the estate and the apparently mesmerized Baron is hiding something. Released in late 1964, "The Tomb of Ligeia” is Gothic horror based on the Edgar Allan Poe story from 1838 (which was revised in 1845 with the addition of his 1843 poem “The Conqueror Worm,” written by the character Ligeia). This was the last of Roger Corman’s eight Poe films from 1960-1964, which all made money but this one made the least, possibly because the quasi-series had run its course and the story was overly complicated. Nevertheless, Corman considered it one of the best of the lot. Since the original tale was so short, scriptwriter Robert Towne incorporated elements from other Poe stories, such as the black cat, mesmerism and a hint of necrophilia. The talky story isn’t as compelling as Corman’s “The Terror” (1963) or even “The Masque of the Red Death” (1964). It’s rather boring for the first hour, but there’s an effectively creepy payoff in the last act, which ties everything together. Like those previous two films, the sumptuous Gothic ambiance is worth the price of admission and the inclusion of Stonehenge is a highlight. You just have to acclimate to the dated drama-focused goings-on. The movie runs 1 hour, 22 minutes and was shot at Shepperton Studios, just west of London, and Castle Acre Priory north of Swaffham, as well as other spots in England, such as Stonehenge, Polesden Lacey and Polzeath, Cornwall, at the southwest tip of Britain (the beach scene). GRADE: B-/C+
Follows seven characters playing the embodiment of the seven deadly sins.
Four friends who live in an apartment get gruesomely murdered one after the other by an unknown power, which leads to an insecurity among the residents there.
When a kind of rabies that transforms people into aggressive creatures spreads across the planet, Manel isolates himself at home with his cat, relying on his wits to survive; but soon they must go out in search of food, by land and by sea, dodging many dangers.
A dangerous combination of radiation and insecticide causes the unfortunate Scott Carey to shrink, slowly but surely, until he is only a few inches tall. His home becomes a wilderness where he must survive everything from spiders living in the cellar to his beloved cat.
Having put down his sword and given up the will to fight, the masterless samurai Iemon lives in solitude while being haunted by his violent enigmatic past...
When tragedy strikes his remarkable robot and the beautiful girl next door, lonely teenage genius Paul tries to save them by pushing technology beyond its known limits into a terrifying new realm.
In a remote region of Wales, five travelers beset by a relentless storm find shelter in an old mansion.
A nobleman in 1830's Finland has to contend with stuck-up relatives, his daughters' suitors, dark secrets from his family's past, mistaken identities and a haunted wing of his mansion.
When the mummified remains of an evil Egyptian queen are brought back to life, she resurrects an army of living dead to help fulfill the prophecy that promises her all the powers of the Underworld.
The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.
Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.