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Pot's a misdemeanour. Decapitation seems a bit severe. The Relic is directed by Peter Hyams (also cinematographer) and based on the best-selling novel written by Douglas Preston and Lincoln Child. The film stars Tom Sizemore, Penelope Ann Miller, James Whitmore and Linda Hunt. The music score is composed by John Debney. The Museum of Natural History in Chicago takes delivery of some crates from South America. Sent by an employee, John Whitney, one of the crates appears to be just full of leaves. However, just as the museum prepares to launch a major exhibition, where all the city's top brass will be present, a security guard is horrifically killed. Can superstitious cop Lt. Vincent D'Agosta (Sizemore) and evolutionary biologist Dr. Margo Green (Miller) get to the bottom of the mystery before it's too late? From the bunch of creature feature movies that surfaced in the 1990s, The Relic may not win prizes for originality of plotting, but it scores high for tension and gloopy fun. Though the decent budget is evident ($70,000,000), the film has all the old fashioned values to make a creature feature work. Rank and file staples come thick and fast; boo jump moments, characters refusing to accept the un-normal, silly kids, silly coppers, a potential hero and heroine, possible romance, some sci-fi babble, a curse, and of course the creature itself - a big hybrid of god knows what! with the "Kothoga" being a snarling, slimy monstrosity that goes about the museum lopping heads off some inept human beings with carefree abandon. What's not to like there? Though Hyams is no genius director, he is, as his CV suggests, more than capable at crafting a polished movie. Such is the case here, where the "B" movie story is given good technical treatment. The lighting (you may have to adjust your settings here) and editing serve the atmosphere well, while the sound work is of the required horror requisitional standard. More importantly, though, Hyams is aware of building up the tension by not unleashing the creature far too soon. We know it's the killer, and we get little snippets of it here and there, but it's not until all hell breaks loose at the big museum event that we get to see the monster, and it's not a let down. Part animatronic/part computer effect, the "Kothoga" is original and it is scarily great fun. So much so it (thankfully) steers the viewers away from the pedestrian performances of the cast. Not bad exactly, but just doing grizzled and spunky beauty (Sizemore & Miller respectively) doesn't really grab the attention. The best actor on show is Whitmore (tracing a lovely creature feature line from Them! in 1954 to here), but he is badly under written and under used. Still, the minor acting issues matters not, for this is ready made for a Saturday night in with the beer and some snacks, so give it a go and you may just enjoy yourself. 7/10
More than a little genuinely funny dialogue, and I think the creature had a pretty cool design... I'm pretty sure? I don't know though, because every time it appears it's in virtually complete darkness. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Linda Hunt is the museum curator "Cuthbert" who is always on the look out for ways to raise cash. A big charity fundraiser with the mayor and other dignitaries is her top priority but that might be about to be kiboshed as police lieutenant "D'Agosta" (Tom Sizemore) is looking into some curious deaths that see the corpses robbed of their hypothalami! Meantime, scientist "Margo" (Penelope Ann Miller) is studying the body of a big beetle that she squashed (finally finding a good use for an half-ton chemistry book!) that appears to have hybrid DNA of a bug and a lizard. She teams up with the detective and pretty soon they are in the basement of the museum with all hell breaking lose and poor old "Cuthbert" finding her big posh do turning into something altogether more perilous (and wet!). It's all pretty derivative, this, with a mediocre cast delivering a story that's as old as the hills. The visual effects towards the end liven it up a little, but not enough to prevent this from misfiring on just about every front. Hunt adds very little beyond the odd shrug and caustic one liner and Sizemore just doesn't deliver strongly enough with the weak and pace-less storyline he has to work with. It's a bit like an episode of "Stargate" only longer, much longer.
In the Fall of 1999, four teenage sleuths and their Great Dane got lost in the woods while in search of a mystery. This is their story.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Cynical British journalist Fowler falls in love with a young Vietnamese woman but is dismayed when a naïve U.S. official also begins vying for her attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy.
After she’s permanently blinded in a tragic car accident, Rebecca receives some bizarre news: her long-lost mother has recently passed away, leaving her their family’s ancestral castle in rural Albania. Traveling to the estate with a group of friends, Rebecca hopes it will be an opportunity for her to reconnect with a past she never knew and a mother who seemingly left her behind. When mysterious events begin to occur and her friends begin to die, Rebecca must unravel the secrets of her family’s history before she too falls prey to the Castle Freak.
With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.
An ex-CIA operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level CIA officials and the Russian president-elect.
The Belgian detective Hercule Poirot investigates a series of murders in London in which the victims are killed according to their initials.
Mr. Fortescue, owner of a big company, unexpectedly dies. The autopsy shows that he has been poisoned. Nobody actually loved him, and even his family members had their reasons to kill him. But who really did it? And who is responsable for killing his young servant and his wife within the next couple of days? Of course the only person who can answer this question is Ms. Marple. And of course, the murderer is the person you least expected it to be.
Aging Major Palgrave, an idiosyncratic but charming mystery writer, reveals to Miss Jane Marple that one of the guests at a luxurious Caribbean resort they're staying at is a Bluebeard-type wife murderer. Unfortunately, the Major succumbs to an apparently accidental overdose of alcohol and blood pressure medication before revealing the killer's identity. When it's discovered that the medicine belonged to another guest and the revealing photograph the Major was carrying is missing, Miss Marple realizes that the serial killer has struck again and more murders will follow.
A talented American actress enlists the help of the famed Belgian detective, Hercule Poirot, to negotiate a divorce from her husband, Lord Edgware, only to find him the next day stabbed to death in his library. Who would want him dead?
