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Horrible watch, won't watch again, and don't let people watch this. Almost everything past the premise of this movie is confusing and ridiculous, starting with the spelling, "ThumbElina"? It should be "ThumbAlina", that's a nit pick, but it honestly made the movie harder to find. I love the premise of a tiny person "birthed" to a wanting mother, but after that, the problems set in. Let's start with "birthed": she didn't magically appear out of the air, she wasn't born, she crawled out of a flower as a tiny adult, wearing a dress, and able to talk. This is some fey granted wish nonsense if I ever saw one. I understand using the name Thumbelina to describe her size, as "Fingerling" would probably be inappropriate, but she is perilously tiny: able to be crushed without notice, any big animal (duck, goose, cow, horse) will eat her without noticing, she should have drowned in the first act, twice I think, the wind alone would sweep her away, though she doesn't have to worry about falling to her death. This girl is short to Tinkerbell, who is at least 6 inches, and Thumbelina is about 2 inches (and a half, maybe), so she's only coming up to Tink's booty. The movie never clearly demonstrates this and morphs her body size anywhere up to a foot based on the needs of the scene. Bugs that wear clothes, with human eyes and teeth don't bother me, I get that because they don't have faces that translate, but amphibians and birds with very human teeth and tongues (geese have their own teeth) is disturbing, and that swallow was downright horrifying. It is a BIRD, the pinnacle of aerodynamic nature in, not only, boots, shirt, and a hat, but GLOVES, it may be the most distracting thing I've ever seen. Even when you anthropomorphize a bird to use their wings as hands, gloves don't make any sense if they fly. It was honestly worst than frog breasts, which I can't stand just as much, they just weren't as frequent. Then there are lots of (horny) bugs, but then there are bumble bees that act like dogs, but should be loyal to their queen, not a fairy. We can blame fey magic, but since he has his own wings, he shouldn't RIDE it. Now, the actual story: it makes sense to split up the nature dynamics into "nationalities", and the world is crafted in some detail, but why did they chose these details. We basically have a Spanish prince, a beetle pimp, a french...hobo(?) swallow, a mole that is a wealthy business man, and then the fairy kingdom which makes the most sense, other than they fail to have nature gradually deliver winter (why they're in charge, I don't know) and suddenly murder anyone who hasn't sheltered. This movie has a problematic feminist story: she's born looking for companionship. She gets desperate for anyone, then wants a prince, so she doesn't even necessarily want the only guy she's ever seen, until she knows he's the prince and he promises her all this stuff. Then she's kidnapped, force on stage for entertainment (strips), led poorly by the hobo swallow, and pressured to marry the mole, but then marries the guy that sort of looks like her, and then he changes her to be just like him. Just watch "Fern Gully" or any of the Disney fairy stuff instead, please.
Headly, a 15-year-old teenager, thinks her mother, Rene, has mourned her father's death long enough, so she decides to find her a new husband by the end of the summer.
One day Karen, Kristel and Kathleen receive an invitation from a king and queen from a distant fairytale kingdom. They ask if they want to sing on their daughter's birthday. But the princess behaves like a spoiled brat, because an evil wizard placed a curse on her, freezing her heart in the process. In an exciting race against time, K3 try to solve the mystery surrounding the little princess. But this turns out not to be as easy as they thought. Because even though they encounter all kinds of well-known fairytale characters, they do not receive any help. Will the brave singers manage to lift the curse?
A young Canadian woman who sings in Kreuzberg in a rock band, and her boyfriend, who lives in a politically active flat-sharing community. Due to the new capital situation, demolished buildings suddenly become sought-after buildings. The living and working situation of the musicians and other scene-people deteriorates massively.
Thrill-seeking teenagers resurrect a demon from his grave and a bloody rampage for revenge begins.
On the eve of revolution, French activist and author Marquis and his talking penis, Colin, await judgment in the Bastille for allegedly plotting against the state. While Marquis dedicates himself to his art and Colin longs for action, the provocative pair unwittingly rouse the interest of competing ideological factions.
Distant, well-worn memories of childhood are inhabited by a little gray wolf. Through astonishing imagery, the memory of all of Russia is depicted.
An illiterate cook at a company cafeteria tries for the attention of a newly widowed woman. As they get to know one another, she discovers his inability to read. When he is fired, she takes on trying to teach him to read in her kitchen each night.
A mother/daughter pair of witches descend on a yuppie family's home and cause havoc, one at a time since they share one body & the other must live in a cat the rest of the time. Now it's up to the family's mother, a private detective, and a suspended police officer to try and stop the witches.
A penniless middle-aged spinster scrapes by giving piano lessons in the Dublin of the 1950s. She makes a sad last bid for love with a fellow resident of her rundown boarding house, who imagines she has the money to bankroll the business he hopes to open.
Children's book authors Jean and Laurent de Brunhoff's most beloved elephant comes to the big screen in this animated family tale. Elephant monarch King Babar tells the tale, that unfolds via flashback, of how a much-younger Barbar and his girlfriend Celeste save her village from the pugnacious rhinoceroses that have come to raid it.
The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.