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**A “gay friendly” film with some qualities, but which seems unfinished in some important aspects.** This has been one of the most beloved films among the transsexual community, even though it seems obvious to me that being a transvestite and transsexual are not identical things. A transvestite is anyone who wears clothing belonging to the opposite sex to look like that. A transsexual is anyone who believes that they should have been born with the opposite sex to the one they have, and who, not infrequently, begins to undergo medical treatments in order to achieve the physical appearance they desire. What do they have in common? Both are minorities of little expression within the “gay” movement and, despite being visible, they have demands that sometimes contradict those of the homosexual movement, leading to some internal friction. None of this really matters, but it helps to understand why the group keeps this film on their favorites list. Filmed in Australia, it shows us the bumpy journey of a troupe of transvestites through the Australian desert to a remote town, where they are supposed to have some shows. The film has an intelligent script, where the adventures and misadventures of the trio intersect with other caricatured characters and, of course, with the intolerance and homophobia of isolated rural communities, where the “gay friendly” film takes the opportunity to make certain criticisms of these attitudes. Unfortunately, the film doesn't give us more than this, the characters are poorly developed and the feeling that remains is that of a project made to please a niche audience and not to tell a good story. The cast has three strong names at the front who ensure consistent protagonism: Terence Stamp, Hugo Weaving and Guy Pearce. The three actors are solid bets and do a very decent job with the material received, with Pearce, more extravagant and bizarre, being the one who least satisfies me. The character he offered us is a caricature and not a credible human figure. He is the one who purchases the tourist bus that will be used on the trip, and which he bizarrely names Priscilla, Queen of the Desert. On a technical level, the film does not present great quality scores, for which it deserves special praise. With a couple of exceptions: the first is the design of the costumes worn in the film by the trio of main actors, full of bizarre details that allude to the world of the show; The second is the cinematography, very well conceived and crafted, and to which the exquisite choice of desert filming locations and, also, the good filming and lighting work largely contributed.
Drag queen "Tick" (Hugo Weaving) gets the offer of a gig in Alice Springs and suggests to fellow artiste "Bernadette" (Terence Stamp) that they both go. How to get there? Well that's where their headstrong young pal "Felicia" (Guy Pearce) comes in. He has no compunction in using a bit of emotional blackmail to extort cash from his mother. Next thing, the three have an old (soon to be pink) bus and are winging their way from Sydney at the start of their 1700 mile trip north. Like any trip in a confined space, tempers flare and these three, already near the top of the histrionics chart, provide us with some entertainingly profane language that make you smile and wince at the same time. As they travel, they tentatively explore more of each other's foibles and personalities as well as a terrain which isn't always the most hospitable. En route, they encounter "Bob" (Bill Hunter) who might just offer an hint of romance for the trans "Bernadette" who is suffering from a bit of ennui with life in general. Their eventual arrival tops a journey of discovery for all of them, but especially "Tick" who's in for quite a surprise! A great soundtrack and some earthy and witty writing help out enormously here, but it's essentially the three men whose ridiculously exaggerated characterisations and temper tantrums of an existence that make this a journey you'd love to watch but are very glad you're not actually on. There were a few popular films made that challenged the global stereotype of Australian machismo and bull-headedness but by taking this into the outback, this offers everyone a chance to contrast the open-mindedness of some with the opposite in others - all whilst keeping sight of the fact that this is a comedy, and a satirical and delightfully sarcastic one at that.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
Still grieving after the murder of her boyfriend, hairdresser Justice writes poetry to deal with the pain of her loss. Unable to get to Oakland to attend a convention because of her broken-down car, Justice gets a lift with her friend, Iesha, and Iesha's postal worker boyfriend, Chicago. Along for the ride is Chicago's co-worker, Lucky, to whom Justice grows close after some initial problems. But is she ready to open her heart again?
Ray and Ken, two hit men, are in Bruges, Belgium, waiting for their next mission. While they are there they have time to think and discuss their previous assignment. When the mission is revealed to Ken, it is not what he expected.
Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
Camille is a professor at a Protestant college who is engaged to Martin, a respected minister and fellow professor. When Camille meets Petra, a bold and flamboyant performer in a circus troupe, she is inexplicably drawn. Pursuing Petra, Camille throws her whole conservative life into disarray.
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.
A mad man threatens to lure hundreds of sharks to the beach at Surfers Paradise Australia at the start of the tourist season, his price to hold off the sharks is $2 million. Our heroes do everything from escaping jail to risking death in a chemical factory, to stop him.
Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime.
