Monster Mash 2024 - Movies (Feb 23rd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Gladiator II 2024 - Movies (Feb 23rd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
- (Jan 1st)
Class of 92- Full Time - (Feb 23rd)
Never Mind the Buzzcocks - (Feb 23rd)
Australian Survivor - (Feb 23rd)
True Crime Presents - (Feb 23rd)
Air Crash Investigation- Special Report - (Feb 23rd)
The Only Way Is Essex - (Feb 23rd)
Married at First Sight - (Feb 23rd)
Oceanfront Property Hunt - (Feb 23rd)
All Elite Wrestling- Collision - (Feb 23rd)
Lakefront Luxury - (Feb 23rd)
Britains Got Talent- Unseen - (Feb 23rd)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Billy falls asleep and dreams Robert L. Ripley takes him on a tour of Believe-It-or-Not land to see many oddities. Vitaphone No. 1320.
Robert Ripley shows a pretty blond a shrunken head and an iron execution chamber. Vitaphone No. 1336.
Robert Ripley draws and shows movies to train passengers. Vitaphone No. 1346.
Robert Ripley gives a show aboard a luxury liner at sea, starting with drawings discussing the origin of the "fathom" and Christopher Columbus being banished from America. Vitaphone No. 1361.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The animated documentary - a mix of live-action footage and animation - tells of the brutal everyday life in the orphanages of the 60s / 70s. Often led by Christian orders, more than one million children were physically and physically abused here. The anonymous protagonist tells of her childhood and her very personal struggle against the nuns' arbitrariness and their ruthless authority.
Robert Ripley presents a well-dressed cocktail party an assortment of drawings and film clips showing the world's youngest parents and the largest bible. Vitaphone No. 1362.
In this short film, Robert L. Ripley introduces narrator Leo Donnelly who presents various "Believe It or Not" oddities from around the world as gathered by Ripley. Segments include a NYC clothier that caters to very large men and circus elephant grooming. Vitaphone No. 1363.
This omnibus of film clips include a Savanna golf course made from Civil War trenches, wooden Indians used ourside cigar stores, an American Indian artist from South Dakota who paints upside down, the smallest residence house, a Bronx River statue with mysterious Civil War origins, the Ocean Grove community in New Jersey that closes on Sundays and a futuristic automated parking garage. Vitaphone No. 1364.
The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.