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Don't tell me you can't make speeches; you could talk a coyote out of a chicken. There Was a Crooked Man... is directed by Joseph L. Mankiewicz and written by David Newman and Robert Benton. It stars Kirk Douglas, Henry Fonda, Hume Cronyn, Warren Oates, Burgess Meredith, John Randolph and Michael Blodgett. Music is by Charles Strouse and cinematography by Harry Stradling Jr. Plot has Douglas as Paris Pitman Jr., an unscrupulous thief who after stealing and hiding in a rattlesnake's nest half a million dollars, gets caught and sent to an Arizona prison for ten years. Once there his plan is simple, to befriend as many cons as he can so they can help him escape. Dangling the carrot of sharing his stash with those who help him, Pitman's plan may be usurped by the arrival of new Warden Woodward Lopeman (Fonda)? Joseph L. Mankiewicz's only venture into the Western sphere is an odd picture in many ways, but not in a bad way, sort of! Coming as it did at the start of the 1970s when the Western was for what was to be some time, on its last legs, the pic blends comedy with cynicism and violence with choice characterisations. Taking bold decisions in not making this a straight run of the mill genre piece, it's unsurprising to find that Warner Brothers got itchy feet and cut a whopping forty minutes from the original cut of the film, footage that to this day has never seen the light of day. This is a crying shame for although it doesn't make the film a mess in any shape or form, it does stop it from being the more edgy piece it was meant to be, With a super cast list fronted by a strong dynamic between Douglas and Fonda, story thrives by pretty much having nobody being straight as an arrow. In fact one of the strengths in the narrative is in setting us up for some surprises, we are never quite sure how this is going to pan out. As the violence, crafty scheming and general crookedness that exists within the prison simmers along, it's set up a treat for the pay off at story's culmination, something which has proven to be divisive (for me it's a doozy). At times it feels like we are in a knockabout comedy, yet this is merely a trick in the tale, the makers are in it for sucker punch merit, craftily flipping the finger whilst embracing moral decay. Hard to recommend with great confidence for it is an acquired taste, but it's fascinating as a snapshot of when the Western was gasping for breath, and rewards are there for those willing to buy into its devilish oddities. 7.5/10
A lawman stages a prison break so a gang of imprisoned robbers will lead him to their hidden loot.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
After Cacopoulos manages to save himself from being hung on a false charge, he robs Cat Stevens and Hutch Bessy of a lot of money and steals their horses. This results in a merry chase and Stevens and Bessy become unwilling allies in Cacopoulus' revenge against the people who deserted him and framed him to get their money back.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Wild Bill Elliott must escort a gang of killer cattleman who have been terrorizing homesteaders.
Firehand and his Apache friend Winnetou are determined to get justice for the murder of four young braves. They set off to track down the gang responsible for the horrendous act.
Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.
Framed for murder and left for dead, a local legend comes back to make the guilty pay as he seeks revenge on those who killed his family, in this traditional Western about one man who stood against injustice.
