Riff Raff 2024 - Movies (Mar 21st)
High Ground 2025 - Movies (Mar 21st)
ODessa 2025 - Movies (Mar 20th)
Hamlet 2024 - Movies (Mar 20th)
Modì Three Days on the Wing of Madness 2024 - Movies (Mar 19th)
The Twister Caught in the Storm 2025 - Movies (Mar 19th)
DSLR 2025 - Movies (Mar 18th)
One Night in Tokyo 2025 - Movies (Mar 18th)
Midwinter 2024 - Movies (Mar 18th)
Flight Photographers 2025 - Movies (Mar 18th)
American Terror Tales 3 2024 - Movies (Mar 18th)
Bert Kreischer Lucky 2025 - Movies (Mar 18th)
Dead Teenagers 2024 - Movies (Mar 18th)
Wolves Against the World 2024 - Movies (Mar 18th)
Bill Squire Were Getting Famous 2024 - Movies (Mar 18th)
Andrew Orvedahl Doom Math 2024 - Movies (Mar 18th)
Final Heist 2024 - Movies (Mar 17th)
National Anthem 2024 - Movies (Mar 17th)
Finding Me 2025 - Movies (Mar 17th)
Rich Flu 2024 - Movies (Mar 16th)
Across the Line 2025 - Movies (Mar 16th)
Riff Raff 2024 - ()
High Ground 2025 - ()
ODessa 2025 - ()
Hamlet 2024 - ()
Modì Three Days on the Wing of Madness 2024 - ()
The Twister Caught in the Storm 2025 - ()
DSLR 2025 - ()
One Night in Tokyo 2025 - ()
Midwinter 2024 - ()
Flight Photographers 2025 - ()
American Terror Tales 3 2024 - ()
Bert Kreischer Lucky 2025 - ()
Dead Teenagers 2024 - ()
Wolves Against the World 2024 - ()
Bill Squire Were Getting Famous 2024 - ()
Andrew Orvedahl Doom Math 2024 - ()
Final Heist 2024 - ()
National Anthem 2024 - ()
Finding Me 2025 - ()
Rich Flu 2024 - ()
Hi Ho Silver! Silverado is directed by Lawrence Kasdan and Lawrence co-writes with his brother Mark. It stars Kevin Kline, Scott Glenn, Danny Glover, Kevin Costner, Brian Dennehy, Jeff Goldblum Linda Hunt and Rosanna Arquette. Music is by Bruce Broughton and cinematography by John Bailey. As a big Western fan it's most interesting revisiting Silverado some 30 odd years after its release. In context of the time it first came out, when the genre was a dead duck, it was a bold and beautiful romp. How wonderful to find that with one or two 1980s irks aside, it is still a fine Western beast beating a true genre heart. Ok, it's hardly pulling up trees thematically, in the main because it embraces what it homages, every cliche in scene and writing is respectful to its predecessors, the Kasdan's achieving everything they set out to do - entertain like minded film lovers. Cast are on fine form, clearly enjoying the material and setting of such. The locations are outstanding, the vistas gorgeous, with production design to match. Broughton's musical score is rambunctious and lifts the spirit, even if much of it feels 1980s as opposed to the era of films setting. Action scenes are expertly staged, the improbable irrelevant for joyous rewards, and stunt work high end as well. Themes such as prostitution and racism are only given small acknowledgements, but character building is evident at every turn to fully involve audience from first reel to last. Heroes and anti-heroes, psychos, thieves and power hungry villains, no stone left unturned here. This isn't for those after the grim textures of something like Unforgiven and latterly Hostiles, this is more in keeping with something like Tombstone, or even the much divisive Lone Ranger. Saddle up and enjoy if you haven't already done so! 8/10
**Fun, rip-Roaring Western with too many characters in a complicated story** Released in 1985, "Silverado" is a Western about two brothers (Scott Glenn & Kevin Costner) and two other gents (Kevin Kline & Danny Glover) who become friends and ultimately team-up to take on the corrupt sheriff of the New Mexican town Silverado. The first time I watched "Silverado" was in the mid-90s and I was turned off by the implausibility of the prison break scene in the first act, not to mention the nigh goofiness of Costner's character. There's an unrealistic vibe, almost verging on Indiana Jones territory, which is easy to explain since writer/director Lawrence Kasdan also wrote "Raiders of the Lost Ark" (1981). So it's necessary to accept the implausible heroics to glean from (and enjoy) the meat of the picture, which is essentially a serious story running the gamut of the human condition (e.g. injustice, action, drama, comedy, conflict, etc.). I only bring this up so that viewers who favor realism in their Westerns, like "Shane" (1953), "True Grit" (1969/2010), "The Long Riders" (1980), "Unforgiven" (1992) or "Wyatt Earp" (1994), will make the necessary mental adjustments before attempting to digest the film. "Silverado" is a rip-roaring, rollicking Western in the truest sense. There are a few moral ambiguities (e.g. Jeff Goldblum's character and Paden's conundrum in the story) but, for the most part, the heroes are heroes and the villains drip with evil. One aspect of "Silverado" I like, which most post-50s Westerns lack, is the palpable spirit of life, liberty and joy that the heroes & their friends possess. Despite the various evils they experience (which we can all relate to one way or another) they maintain a certain joy of living, the jubilance of life and freedom itself. As such, the film isn't a downer; it's somehow uplifting. Stories like this need a good villain and Brian Dennehy more than fills the bill. He's almost horrifying as the swaggering corrupt sheriff of Silverado. Remember his part as the sheriff in "First Blood" (1982)? This is essentially the same role, just exponentially WORSE. The main hero is Kline as Paden. Kline is effective at playing the perfect, likable everyman. Glenn is a quintessential Westerner as Emmett while Costner plays his younger gung-ho brother, Jake. The latter is notably different here than in his other Western roles, "Dances with Wolves" (1990) "Wyatt Earp" and "Open Range" (2003). Here he's young & spunky, full of mirth, yet also an expert and deadly gunslinger. After the contrivances and goofiness of the first act, "Silverado" finds its footing and I was absorbed & even thrilled by the story up until around the 70-75-minute mark. Unfortunately, from there the story gets convoluted, although it ends with a long, rousing gunfight in the town. It's just that there are so many characters that you tend to lose track and it seems like some expositional scenes were left on the cutting room floor in order to keep the runtime at just over two hours (133 minutes). The subplots concerning Rosanna Arquette, Jeff Goldblum and Linda Hunt are good examples. However, the positive thing about a story like this is that it's not superficial; hence, the movie's worthy of repeat viewings since you're not likely gonna digest it all in just one or two viewings. Yet an intricate story like this needs at least 2.5 hours of runtime in order to breath and be effective. It demands the length of "Dances with Wolves" and so I'd be interested in seeing a Director's Cut. Speaking of subplots, I enjoyed certain ones like Kline's love for the midget saloon bartender (Linda Hunt), love in a son/mother sense, that is, but their relationship isn't developed enough. You have to read in between the lines. I also appreciated the love and loyalty of the four protagonists; the fact that Glover is a black man is of no issue. Love in its purest sense is spiritual in nature and transcends blood, skin color or raw lust. You never know who you'll meet in life and form a strong love-bond with. It's amazing. So why not a higher rating? I didn't find the story all that captivating like, say, Kasdan's "Grand Canyon" (1991). I'm talking about the last hour where I had to struggle a bit to keep attentive, not to mention keep track of all the characters and what's going on. Then there's the nonsensical editing, obvious missing scenes and a few idiotic implausibilities. Beyond these negatives, "Silverado" has most everything you'd ever want in a Western: gunfights, quick-draw showdowns, smoke-filled saloons, saloon girls, homesteaders, wagon trains, outlaws, posses, jailbreaks, stampedes, box canyons, glorious Western locations, and more. Actually, it verges on overkill. About the only thing it doesn't have are Native Americans and an uncomplicated story. The latter explains why you DON'T see "Silverado" cited on many Best Westerns lists. The film was shot entirely in New Mexico. GRADE: C+
Written (along with his brother) and directed by Lawrence Kasdan (Raiders of the Lost Ark, Wyatt Earp), Silverado is one Western that remounts to the golden age of westerns - when I had put the movie on my to watch list, I surely thought it was some lost western from the 70´s. But alas, no it was a mid-80's to 90's transition movie what gave me some concerns, that proved wrong otherwise. The director doesn't have so many hits in his career other that RotLA, but it is simple in screenplay but not naive as most of the 50-60's westerns with some greater tone on violence and blood. It tells the story of 4 cowboys, two of them brothers, united by their own reasons, they being played by Kevin Kline and Kevin Costner, a black man with a vow of vengeance Danny Glover (that points the story around the 1870-80) and the lone wolf Scott Glenn that saves the first one that lead to encounters with the others.. The way off all 4 points to the city of Silverado, on which an ex-"friend" of Scott is the ruthless and abusive sheriff (Brian Dennehy, one of the best roles on the movie along with the saloon owner Linda Hunt - another great star on the movie, with just 1,45cm height that you have seen and heard many times in your live I assure you). The movie for sure have its share of action and relations betweens characters, and a degree of violence that differentiate it of older westerns. I gave to the movie a 7,5 out of 10,0 score / B + . If you like Westerns it sure worths your time - being on Criterion collection it can shows that it is worth it.
Mark is a nomad fighter who is taken in the backseat of a car to fight in underground combats. He meets Sandy, a young and beautiful prostitute who shares his same desire: forget the pain and begin their lives from zero. But Mark's past will catch up to him, putting in danger Sandy, his escape plan, and all the people who surround him.
A straightforward man, who uses violence to settle disputes, decides to mend his ways for the sake of his lover, but when he learns that her family is in danger, he decides to save them at all cost.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.
David Rice is a man who knows no boundaries, a Jumper, born with the uncanny ability to teleport instantly to anywhere on Earth. When he discovers others like himself, David is thrust into a dangerous and bloodthirsty war while being hunted by a sinister and determined group of zealots who have sworn to destroy all Jumpers. Now, David’s extraordinary gift may be his only hope for survival!
In Thailand, ex-Green Beret John James Rambo joins a group of mercenaries to venture into war-torn neighboring Myanmar to rescue a group of Christian aid workers who have been kidnapped by a ruthless local infantry unit.
A seemingly cold-blooded hitman is assigned to befriend a call girl, but all hell breaks loose when he is assigned to kill her.
Detectives Marcus Burnett and Mike Lowrey of the Miami Narcotics Task Force are tasked with stopping the flow of the drug Ecstasy into Miami. They track the drugs to the whacked-out Cuban drug lord Johnny Tapia, who is also involved in a bloody war with Russian and Haitian mobsters. If that isn't bad enough, there's tension between the two detectives when Marcus discovers that playboy Mike is secretly romancing Marcus’ sister, Syd.
Sergeant Todd is a veteran soldier for an elite group of the armed forces. After being defeated by a new breed of genetically engineered soldiers, he is dumped on a waste planet and left for dead. He soon interacts with a group of crash survivors who lead out a peaceful existence. The peace is broken as the new soldiers land on the planet to eliminate the colony, which Sergeant Todd must defend.
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.