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Christmas Holiday (1944) Vacationing with the troubled and the forlorn. Christmas Holiday is directed by Robert Siodmak and adapted to screenplay by Herman J. Mankiewicz from the novel of the same name written by W. Somerset Maugham. It stars Deanna Durbin, Gene Kelly, Richard Whorf, Dean Harens, Gale Sondergaard and Gladys George. Music is by Hans J. Salter and cinematography by Elwood Bredell. The title is a bit of a bum steer, the presence of Durbin and Kelly a splendid slice of red herring casting, and the written notices on the internet announce that the source material was watered down for this filmic adaptation. All of these instances mark Siodmak’s film out as a fascinating oddity, and certainly of high interest to film noir lovers. Plot essentially has Durbin telling Harens in flashback how her life crumbled around her when she married Kelly. She thought he was a wealthy gent full of charm and love, but soon she comes to realise that he’s a rascal with underlying issues, not helped by his mother, a witch like Sondergaard. Had Siodmak been able to go full tilt with the characterisations here, we would have most likely been privy to one of his finest dark noirs, he was after all one of the great purveyors of such devilish delights. Yet even though there’s a frustration that some of the bolder elements of Maugham’s prose are not overtly evident, there’s still a dark heart beating away, with suggestions of prostitution, incest and homosexuality dangling in the air, baiting those who in the classic eras adhered to censorship. Siodmak and Bredell don’t over saturate via noir filters, but as the story moves between seedy New Orleans clubs and Gothic churches, the sense of everything being out of sorts is amplified by smoke and lighting techniques. The pace is very up and down, and not all the director’s scene constructions help the narrative be all it can be, but his knack for emphasising certain thematics via tone and responses from his actors is very much evident here. Thematically it’s all very glum, America gone bad, love and romance are mere illusions. From the opening sequence as Harens – having served in the war for his country – receives a “Dear John” letter, to the striking denouement, this is anti-love and a portrait of a self loathing country readily able to accept corruption and the dark bents of human nature. The strong performances by the leads, supplemented by the wonderful Sondergaard (you know things are going to be creepy when she’s around), and the Oscar nominated score by Salter round out the many strengths of Christmas Holiday. Not one to cheer you up at the yuletide season, and far from perfect with its draggy mid-section, but this is hugely effective film noir and fans of such will get plenty of miserablist rewards from it. 7.5/10
An ex-model gets caught up in lust, murder and betrayal when a gun-wielding man pays her a visit.
An honest and idealistic archaeologist, to find the legendary burial of an Etruscan king, collides with the interests of a group of "grave robbers". Larth is a passionate archaeologist of the Etruscan civilization, on the trail of a famous royal tomb. Vasco is a hotelier in the area which is enriched by plundering the graves and selling their treasures. Tania is the beautiful, thirteen year old, niece of Vasco (played by 18 yr old Brigitta Boccoli ) that disturbs the mature scholar Larth by attempting to seduce his wife Leonora. There is treasure, thievery, murder and seduction. Oh, and a red car.
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.
Truck driver Mike Lambert is a down-and-out mining engineer searching for a job. When his rig breaks down in a small town, he happens upon a venomous seductress. When her boyfriend robs a bank, they intend to frame Lambert.
An elderly couple move into an old, supposedly haunted abandoned house. A young girl comes to live with the pair as a companion for the wife. However, soon the girl is possessed by the spirit of another girl, a wealthy woman who had once lived in the house but who had been murdered there.
A single mistake puts a 19-year old girl behind bars, where she experiences the terrors and torments of women in prison.
An undercover U.S. Immigration agent falls in love with an immigrant attempting to enter the United States through Havana, Cuba in an illegal smuggling ring.
Story of an investment agent who embezzles a large sum from an estate, hoping to cover his crime by marrying the estate's heiress. The girl is already engaged, so he arranges to have the fiance killed. A mix up involving the society section of the newspaper places him in the sights of his own hired gun.
In 1928 Arthur Upfield, Australia’s premier crime writer, plotted the perfect murder for his novel The Sands of Windee. Meanwhile, one of his friends, stockman Snowy Rowles, put the scheme into deadly effect, even before the book was published. This true story resulted in one of Australia’s most sensational murder trials of the 1930’s and catapulted Upfield’s name onto the world stage.
During World War II, South Sea beachcomber Walter Eckland is persuaded to spy on planes passing over his island. He gets more than he bargained for as schoolteacher Catherine Frenau arrives on the run from the Japanese with her pupils in tow!
The story of Gwen Araujo, a transgender teen who was murdered in California in 2002.
