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Prisoner 93850 Caged is directed by John Cromwell and adapted by Virginia Kellogg from her own story Women Without men that was co-written with Bernard C. Schoenfeld. It stars Eleanor Parker, Agnes Moorehead, Ellen Corby, Betty Garde and Hope Emerson. Music is by Max Steiner and cinematography by Carl E. Guthrie. Teenager Marie Allen (Parker) is sent to a women’s prison after being found guilty of being an accomplice in a robbery, a robbery that saw her husband killed. She’s also pregnant and will have to have the child in the prison. Struggling to come to terms with her incarceration and the tough regime overseen by brutish warden Harper (Emerson), Marie comes to realise that she may have to go through a major character transformation to survive. Unfairly tagged as camp and sounding on synopsis like what would become a cheese laden staple of women’s prison movies, Caged is actually rather powerful film making. The deconstruction and subsequent transformation of a young woman who clearly doesn’t belong behind those walls, is bleakly told. The prison is a foreboding place, the lady character’s reactions to their surroundings and way of life are emotionally charged. Frank in its portrayal of prison life back then, but sly with its insinuations of sexual proclivities and criminal doings on the inside, the writing has a crafty edge most befitting the sombre tone that pervades the picture. Parker leads off the list of great performances to bring the drama to life, and with Guthrie’s black and white photography superbly emphasising claustrophobia and pungent emotional turmoil, it rounds out as a thoroughly gripping piece of film. With an ending that’s appropriately biting as well. 7.5/10
The second volume of eros suspense depicting a terrible living hell that unfolds in a secret cell that does not officially exist. A giant women's prison built in the basement of Tokyo. There, the drug G-Men Saki, who got the information that illegal drugs are being manufactured, begins a dangerous undercover investigation.
A STRING OF BLUE BEADS is a slight little Christmas tale that was a pilot for an anthology series of short stories that never came to be. What makes this little film fascinating is it was one of the earliest color broadcasts on television and happily is one of the few early color productions for TV that can be seen in color now. Early color television productions seem to have had a limited color capability much like the early 1930's attempts at Technicolor. This actually adds to the charm of this little Christmas story giving in an "old time" feel.
Matt, a 19-year-old student, goes to the hospital to see his newborn son. He learns his girlfriend plans to put the baby up for adoption without his consent, so he takes his son to his grandmother's house to fight for custody.
A court-martialed general rallies together 1200 inmates to rise against the system that put him away.
After assuming his dead cellmate's identity to get with his girlfriend, an ex-con finds himself the reluctant participant in a casino heist.
At 2:37, someone commits suicide in the school lavatory. The day is told up to that point from the viewpoint of six different students.
As a part of a special government reform program, inmate J.T. Blake has to take care of Johnny Reynolds who has cerebral palsy. In the meantime, another inmate wants to take care of J.T. Blake forever.
A cowboy comes to a town at Christmas time. He eats at a cafe but was unable to pay for his meal, so the owner throws him in jail. The town wants to alleviate their guilt over a Mexican family, who has pregnant woman with them, who lives on top of a mountain called Christmas mountain. They bail out the cowboy and tells to bring some old clothes and food to them. While there the young boy of the family feels sorry for him and prays that god will send him some help. It comes in the form of an old friend of his who died years ago. He tells him that he is not exactly living a proper life but he has a chance to turn things around, first by telling the townsfolk that their so called charity towards the Mexicans is not enough.
A holiday favourite for generations... George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.
Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.