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Abraham's film is a savage satire on political developments in Kerala during the turbulent seventies. It is in the form of a visual report to his mother in his village. The film spares no one and brutally exposes the hypocrisy and doublespeak of political leaders in a politically volatile part of India. Stark in its form and soul revealing in its content, it is a masterpiece by a deeply committed film maker who died very young and very tragically. A must see for lovers of political cinema.
The backdrop of "Amma Ariyan" takes place in a politically unstable time in Kerala in which leftist political extremism lead to the Naxalite movement, which garnered much support from the common people. The political struggle that occurred at the time led various artists to respond to it through furthering the struggle through art. John Abraham is famous for his nomadic lifestyle and radical nature and has made the film to reflect upon this. The political struggles the group encounters in their journey actually document what was occurring at the time. Through the use of frequent flashbacks, juxtapositions of nature, monologues and monochromatic cinematography, Abraham stays away from the conventional norms of filmmaking as far as possible. The motive behind making the film itself is based on Abraham and his friends wishing to make a people's film. They travelled from village to village performing skits and short plays asking for contributions. In a particular scene through a monologue, Abraham quotes the famous Guatemalan poet and revolutionary Otto René Castillo "One day the apolitical intellectuals of my country will be interrogated by the simplest of our people. They will be asked what they did when their nation died out slowly, like a sweet fire small and alone ", these line forms the essence of this film. Read the full review at www.asianfilmvault.com/2017/06/amma-ariyan-1986-by-john-abraham.html
This examination of a famous scandal from the 1970s explores the relationship between Barbara Baekeland and her only son, Antony. Barbara, a lonely social climber unhappily married to the wealthy but remote plastics heir Brooks Baekeland, dotes on Antony, who is homosexual. As Barbara tries to "cure" Antony of his sexuality - sometimes by seducing him herself - the groundwork is laid for a murderous tragedy.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
After his mother suffers a stroke, Ben Hardin returns to his rural hometown to care for her and complete his most recent book. While home, his relationships with family and friends are strained and tested.
Rameshan, who has great love for cricket, fails to become a cricketer in his life. However, he tries to fulfil his dreams through his son when he realises that the child too has a passion for it.
A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.
Sara runs for an eco the same day she notices something different on her left breast. Timing and readiness might save her life besides a happy event that comes as a blessing in her life between good friday and easter day, will she be able to win the battle against this silent killer?
Die Polizistin is a drama by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
In Nadodimannan, Padmanabhan plays a village youth who does not have a particular inclination towards any political party and joins any protest being held. He earns a living by participating in demonstrations for various political parties. He then reaches the city where he is strung to the upper levels of society and gets elected as the Mayor. His conflicts and attempts to cleanse the city form the rest of the story
Panchayat Secretary Ullahanan leads a monotonous life till a college reunion rekindles excitement in his 20-year-old marital life and infuses in him a renewed sense of purpose and love for everything that he once took for granted.