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Who is hunting who? Chase a Crooked Shadow is directed by Michael Anderson and written by David D. Osborn and Charles Sinclair. It stars Richard Todd, Anne Baxter, Herbert Lom and Faith Brook. Music is scored by Matyas Seiber, with additional guitar by Julian Bream, and cinematography by Erwin Hillier. A man shows up at Kimberley Prescott's Spanish villa claiming to be her brother. Trouble is is that her brother, Ward Prescott, died in a car accident a year ago... The core formula for Chase a Crooked Shadow has been well mined over the years, only recently I myself viewed the quite excellent Hammer Films Production of Paranoiac, which treads the same ground as Anderson's movie, but there's a filmic style here that adds further atmosphere to the moody mysterious tone of the narrative. Thus, in spite of the absurdities and stretching of credulity, this is well worth seeking out. Anderson carefully builds the suspense, ensuring that what we think we know may in fact not be the case. The twists and jolts are deftly handled and the finale is a delightful bolt from the blue. Along the way we are treated to a noirish canvas, where even though the film is shot on location on the Costa Brava, there's a Gothic sheen pretty much every where you look. The interior of the villa is complete with Grandfather clock, iron gate doors, odd light shades, statuettes and one of those staircases with balustrade, all of which is given maximum shadow effects by Hillier. The outside courtyard also serves the uneasy mood well, as does the stone beach house at the bottom of the hill, it should be idyllic, but fret and discord dwell there as well. Cast are most effective, some have called Todd too wooden, but he needs to be restrained here, he is after all playing the character's cards close to his chest. Baxter, looking positively lovely, handles the mental disintegration process with great skill, Brook really exudes a Mrs. Danvers like menace purely with cold dialogue delivery and an icy stare, while Lom has authoritative presence as the police man being pulled both ways of the mystery. Top performers doing justice to a fine mystery story that is in turn offering some visual pleasures too. 7.5/10
Cleo Moore stars as Mary Adams, whose first step on the road to ruin is a $25,000 robbery. Mary hides the money, then confesses to the crime, secure in the belief that she can dig up the loot upon her release from prison.
Nick Cherney, in prison for embezzling from Torno Freight Co., sees a chance to get back at Johnny Torno through his young priest brother Jess. He pays fellow prisoner Rocky, who gets out a week before Nick, to murder Jess... who, dying, tells revenge-minded Johnny that he'd written a clue "in the Bible." Frustrated, Johnny obsessively searches for the missing Gideon Bible from Jess's hotel room.
A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.
Logan Burnhardt is the ego-king of the airwaves, but his unflappable persona is put to the test when a terrorist bio-attack unleashes a plague of flesh-ripping maniacs on Los Angeles.
The destinies of different kind of people encounter in a passenger train that is traveling from Helsinki to the North. One tragedy after the other appears.
In-Ja, the madam of a cabaret is a mistress of the boss of espionage agent. She gathers information from the guests and gives it to Seon-Tae.
A young, beautiful career woman rents a backwoods cabin to write her first novel. Attacked by a group of local lowlifes and left for dead, she devises a horrific plan to inflict revenge.
“Shorty” Matthews having recently been released from prison visits his girlfriend in London only to discover her murdered. Fearing he will be wrongly accused of being the culprit he disappears amongst the long-distance lorry driving community. Meanwhile, the real killer, unassuming ex-schoolteacher Walter Hoover, continues to prey on London women. As Shorty had feared he has become the main suspect. He returns to London with old flame Molly to prove his innocence.
There are terrible things happening in the desert...unexplainable, frightening things. Tragic, inexplicable incidents… ever since she arrived.
This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.
A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.