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There was really no intrigue in _The Glass House_ which is missing a pretty fundamental step when you're making a mystery/thriller. _Final rating:★½: - Boring/disappointing. Avoid where possible._
***Sad drama with Leelee Sobieski and Stellan Skarsgård switches to thriller*** A suddenly orphaned teen girl (Leelee Sobieski) & her little brother start a new life in Malibu with their guardians (Stellan Skarsgård & Diane Lane), who might not be the caring friends of their parents they seem to be. Bruce Dern is on hand as a lawyer. “The Glass House” (2001) starts as a melancholic drama with the general plot, setting and tone of “Poison Ivy” (1992), but without the lethal Lolita angle. It eventually morphs into a suspense/thriller à la “Enough” (2002), just don’t expect Leelee to change into Rambo, like J-Lo. Sobieski as protagonist Ruby is one-dimensionally sullen, which fits the situation, but it gives a lifeless vibe to the proceedings. Some critics claim the last act is predictable, but it's really not, excepting the fact that two people ultimately square off (which is obvious from the beginning). I'd cite examples but don't want to give away spoilers. The film runs 1 hour, 46 minutes, and was shot in Malibu & that general area of Los Angeles. GRADE: B-
The Glass House is one of those movies that might not blow you away but keeps you intrigued with its unsettling vibe. The cold, modern house perfectly mirrors the eerie atmosphere, creating an unsettling backdrop for the story. The cinematography uses this to its advantage, making the environment feel as much a part of the tension as the characters themselves. Leelee Sobieski delivers a standout performance, convincingly portraying her character’s growth and determination amidst the unfolding mystery. Stellan Skarsgård adds another layer with his chilling yet restrained presence, keeping you on edge even when the story feels familiar. Sure, the plot leans toward predictable territory, which seems to be a sticking point for critics, but the film’s strength lies in how it teases the possibility of different outcomes. Even if the ending plays it safe, the journey there has enough intrigue to hold your attention. It’s not groundbreaking, but it’s a solid thriller with good acting, a cold and unsettling tone, and just enough tension to make it worth a watch. If you’re in the mood for something straightforward yet atmospheric, it’s a decent pick.
A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.
A loose remake of “12 Angry Men”, “12” is set in contemporary Moscow where 12 very different men must unanimously decide the fate of a young Chechen accused of murdering his step-father, a Russian army officer. Consigned to a makeshift jury room in a school gymnasium, one by one each man takes center stage to confront, connect, and confess while the accused awaits a verdict and revisits his heartbreaking journey through war in flashbacks.
A father reminisces about his childhood when he and his younger brother moved to a new town with their mother, her new husband and their dog, Shane. When the younger brother is subjected to physical abuse at the hands of their brutal stepfather, Mike decides to convert their toy trolley, the "Radio Flyer", into a plane to fly him to safety.
Young Native American man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family, and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains.
Mona Bergström is a sweet eurovision-obsessed woman in her 30s. She is married to a lazy husband and has four children, all named after her favorite Swedish Eurovision popstars. Her brother is a crossdressing guy self-titled "Candy Darling". Mona works in a retirement home for disabled people, where she is responsible for taking care of a young man named David who suffers a movement-restricting disease forcing him into a wheelchair. David's parents have abandoned him, as they wanted a normal child. Mona holds a big place in David's heart, and vica versa. David's goal is to get his parents to come and visit him, and he wants to show them that he is a great person, despite his handicap. Therefore he works with music on his computer, and his goal is to create a song, send it to "The Cardigans", a famous Swedish band and have them play the song and credit him, hoping his parents would spot it and want to visit him.
As he approaches manhood, Ben Meechum struggles to win the approval of his demanding alpha male father, an aggressively competitive, but frustrated marine pilot.
Los Angeles, California. A cop who, unhappy with his job, blames others for his work problems, is assigned to investigate the case of a prowler who stalks the home of a married woman.
The horrors of war are examined from the view points of lifelong friends (Linus Roache, Vincent Perez), who end up on opposing sides in the civil war in Sarajevo. One is an expert marksman, who trains the snipers used to terrify the city and the other becomes a freedom fighter, who rejects his friend's offer to gain an escape from the city. As might be expected, the two eventually have to face-off against one another.
Myeong-ja, a flower vendor in Seoul, and her young brother Yong-pil, are orphans who have been taken in by some very bad people. Yong-pil finds refuge in a private orphanage and Myeong-ja takes her chances with a flower customer.
Two honeymooners rescue a mysterious car crash survivor in the Las Vegas desert. But their decision to save the man becomes increasingly regrettable when he turns on them, forcing the newlyweds to do the unthinkable.
Peter Miles stars as Tom Tiflin, the little boy at the heart of this John Steinbeck story set in Salinas Valley. With his incompatible parents - the city-loving Fred and country-happy Alice - constantly bickering, Tom looks to cowboy Billy Buck for companionship and paternal love.