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There was really no intrigue in _The Glass House_ which is missing a pretty fundamental step when you're making a mystery/thriller. _Final rating:★½: - Boring/disappointing. Avoid where possible._
***Sad drama with Leelee Sobieski and Stellan Skarsgård switches to thriller*** A suddenly orphaned teen girl (Leelee Sobieski) & her little brother start a new life in Malibu with their guardians (Stellan Skarsgård & Diane Lane), who might not be the caring friends of their parents they seem to be. Bruce Dern is on hand as a lawyer. “The Glass House” (2001) starts as a melancholic drama with the general plot, setting and tone of “Poison Ivy” (1992), but without the lethal Lolita angle. It eventually morphs into a suspense/thriller à la “Enough” (2002), just don’t expect Leelee to change into Rambo, like J-Lo. Sobieski as protagonist Ruby is one-dimensionally sullen, which fits the situation, but it gives a lifeless vibe to the proceedings. Some critics claim the last act is predictable, but it's really not, excepting the fact that two people ultimately square off (which is obvious from the beginning). I'd cite examples but don't want to give away spoilers. The film runs 1 hour, 46 minutes, and was shot in Malibu & that general area of Los Angeles. GRADE: B-
The Glass House is one of those movies that might not blow you away but keeps you intrigued with its unsettling vibe. The cold, modern house perfectly mirrors the eerie atmosphere, creating an unsettling backdrop for the story. The cinematography uses this to its advantage, making the environment feel as much a part of the tension as the characters themselves. Leelee Sobieski delivers a standout performance, convincingly portraying her character’s growth and determination amidst the unfolding mystery. Stellan Skarsgård adds another layer with his chilling yet restrained presence, keeping you on edge even when the story feels familiar. Sure, the plot leans toward predictable territory, which seems to be a sticking point for critics, but the film’s strength lies in how it teases the possibility of different outcomes. Even if the ending plays it safe, the journey there has enough intrigue to hold your attention. It’s not groundbreaking, but it’s a solid thriller with good acting, a cold and unsettling tone, and just enough tension to make it worth a watch. If you’re in the mood for something straightforward yet atmospheric, it’s a decent pick.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
Frederick Abberline is an opium-huffing inspector from Scotland Yard who falls for one of Jack the Ripper's prostitute targets in this Hughes brothers adaption of a graphic novel that posits the Ripper's true identity.