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Art Deco Neo-Noir has more style than substance? Across the Hall is directed by Alex Merkin and Merkin co-writes the screenplay with Jesse Mittelstadt and Julien Schwab. It is adapted from Merkin's short film of the same name that aired in 2005. It stars Mike Vogel, Brittany Murphy, Danny Pino, Natalie Smyka and Brad Greenquist. Music is by Bobby Tahouri and cinematography by Andrew Carranza. The Riverview Hotel, and Terry (Pino) has rented the room opposite the room where he believes his fiancée June (Murphy) is cheating on him... Alex Merkin clearly loves film noir and knows his noir onions, this is not in doubt due to the twisty story, characterisations and superb stylistics on offer here. And just in case anyone is in any doubt about this, the keen of noir eye will notice the film showing at the theatre next to the Riverview Hotel is Nightmare Alley, the brilliant Tyrone Power noir pic from 1947. On the style front the production is top draw, Carranza's photography is both beautiful and ghostly, creating a brooding atmosphere befitting the plot machinations. The look is supplemented considerably by Tahouri's edgy pulse like musical score, while the Art Deco design of the Riverview is a splendid accompaniment to dark deeds unfolding. As a story we are served up standard fare, the insertion of twisters and linear jumps not really lifting it out of its predictable trajectory. Which is a shame, because performances are solid and Merkin obviously has love for noir as a film making style. The resolution is expected but handled well enough to pay off the patient, but as a whole Across the Hall just about rises above average, but really this is more down to style than substance. 6/10
In 1970s London, Scotland Yard orchestrates the downfall of mob boss Vic Dakin after he crosses the line by blackmailing Members of Parliament.
A group of thieves attempt to rob an art gallery, but when plans backfire and one of the men winds up dead, the group head down south, running afoul of the law. Along the way, they meet up with a seductive con artist with ideas of her own.
Betty has a crush on her tennis instructor Mike. He promises to call her for a date, but never does – she doesn’t know he sells drugs on the side. After botching a deal on someone else’s turf, Mike has to disappear for a while. He contacts Betty – then he’s killed before they can meet. Betty tries to find out what happened, leading her straight into a hornet's nest of vice.
A young woman meets a man in a seedy hotel for a mysterious assignation in this unsettling narrative.
Vampish miss Dolan hires hardboiled P.I. Harry Dobbs to tail her shady boyfriend. Harry realizes that the man leads a double life but then his client disappears. Harry teams up with his own tail, P.I. Stella Wynkowski, to clear things up.
Cosmo Vittelli, the proprietor of a sleazy, low-rent Hollywood cabaret, has a real affection for the women who strip in his peepshows and the staff who keep up his dingy establishment. He also has a major gambling problem that has gotten him in trouble before. When Cosmo loses big-time at an underground casino run by mobster Mort, he isn't able to pay up. Mort then offers Cosmo the chance to pay back his debt by knocking off a pesky, Mafia-protected bookie.
Private detective and former football player Harry Moseby gets hired on to what seems a standard missing person case, as a former Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her daughter. Harry travels to Florida to find her, but he begins to see a connection between the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light.
Nick and Frank Starkey were both policemen. A scandal forced Nick to leave the force, now a serial killer has driven the police to take him back. A web that includes Frank's wife, bribery, and corruption all are in the background as Nick tries to uncover the secret of where the killer will strike next, and finally must lay a trap without the police.
The quiet life of Baker Dill, a fishing boat captain who lives on the isolated Plymouth Island, where he spends his days obsessed with capturing an elusive tuna while fighting his personal demons, is interrupted when someone from his past comes to him searching for help.
At a remote lake house in the Adirondack Mountains, a couple entertains an out-of-town guest looking for inspiration in her filmmaking. The group quickly falls into a calculated game of desire, manipulation, and jealousy, unaware of how dangerously intertwined their lives will soon become.