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ODessa 2025 - ()
Hamlet 2024 - ()
DSLR 2025 - ()
One Night in Tokyo 2025 - ()
Midwinter 2024 - ()
Flight Photographers 2025 - ()
American Terror Tales 3 2024 - ()
Bert Kreischer Lucky 2025 - ()
Dead Teenagers 2024 - ()
Wolves Against the World 2024 - ()
Bill Squire Were Getting Famous 2024 - ()
Andrew Orvedahl Doom Math 2024 - ()
Final Heist 2024 - ()
National Anthem 2024 - ()
Finding Me 2025 - ()
Rich Flu 2024 - ()
Across the Line 2025 - ()
Jersey Bred 2024 - ()
I Love You Forever 2024 - ()
Queer 2024 - ()
a movie within a movie within a movie. epic... except it's not I do want to see Aubrey Plaza in more lead roles though
Aubrey Plaza is terrific in this! 'Black Bear' is intriguing from beginning to end. I did find the first half to be the stronger and most interesting part, though the conclusion is still fairly captivating all the same. As noted, Plaza is excellent throughout - she carries the film, no doubt. Christopher Abbott has a few moments, while it's neat to see 'The Walking Dead' newcomer Paola Lázaro involved.
I’d really like to like Black Bear. I actually was really liking it a lot, even enjoying it, right up to the halfway point, where the whole thing comes crashing down faster than Kevin Spacey’s career. Black Bear is divided into two parts; The Bear on the Road, and The Bear by the House (let’s call them BB1 and BB2); both parts end with the appearance of the titular Ursus americanus, but could very well have ended with a sign saying ‘Dead End’. In a remote lake house in the Adirondacks, Gabe (Christopher Abbott) and Blair (Sarah Gadon), welcome Allison (Aubrey Plaza), an up-and-coming film director. Like the stereotypical artists, these three are creative and intelligent, but also childish and belligerent. Allison is a bald-faced pathological liar, Gabe is immature and manipulative, and Blair doesn’t let her pregnancy get in the way of a burgeoning alcoholism (the casting, by the way, is spot-on). Their interactions are fraught with patronizing passive-aggressiveness.This is plain good ol’ rubbernecking fun. The dialogue is both obscene and highbrow(I especially enjoyed the use of the word “solipsistic”), but sadly the biggest insult, to the audience’s intelligence, takes the form of a cliffhanger —for lack of a better term — that segues into BB2.The second half is a meta-textual quagmire wherein there’s a movie-within-the-movie, but that inner movie isn’t really the movie we were watching thus far, so presumably there’s a hypothetical third movie buried somewhere in this conceptual nightmare. If BB1 was a about a train wreck from which we could not take our eyes off, BB2 is just a train wreck, period. The only quality that crosses over from the first half is the acting, which is probably even better — but that just makes me feel sorry for the cast. All things considered, what we have here are two drafts of the same admittedly good idea, which doesn’t equal a single finished product. Instead of going back to the drawing board, the writer/director has simply opted to present the same underdeveloped premise twice in a row, both times neglecting to come up with a proper conclusion.
The behind the scenes story of the life of A.A. Milne and the creation of the Winnie the Pooh stories inspired by his son Christopher Robin.
Two men share an odd friendship while they care for two women who are both in deep comas.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
Chris, a former tennis player, looks for work as an instructor. He meets Tom Hewett, a wealthy young man whose sister Chloe falls in love with Chris. But Chris has his eye on Tom's fiancee Nola.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Navarra, Spain. Alba has just turned thirty and is about to enjoy a weekend with her boyfriend and her friends in an isolated country house, but soon she will notice that this particular weekend is not at all like any other that she has lived before.
Mervi is a gay girl living in the hipster quarters of Helsinki. She has been together with Kata for a year, and now they are encouraged by the circumstances to come out from closet. When they do, Mervi realises that she is not the only one in her family with secrets – her parents have been living in an open-bisexual-swinger-relationship for 20 years. On the other hand Kata is pretty surprised that she might be living with a hetero girl that once was dating a neo-nazi. And the ex-boy friend cannot swallow that Mervi is now with a person both of wrong color, and sex. The real threat appears when Kata’s parents arrive from Berlin and the local skinhead chief finds out that a black muslim celebrity politician has arrived to town.
Marudhu, a sailor, falls in love with Nancy, a fruit vendor. However, she waits for the captain who had promised that he would return and marry her.