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The Scarlet Angel! Frenchie is directed by Louis King and written by Oscar Brodney. It stars Joel McCrea, Shelley Winters, Paul Kelly, Elsa Lanchester, Marie Windsor and John Russell. Music is by Hans Salter and cinematography by Maury Gertsman. Frenchie Fontaine (Winters) has sold her successful business in New Orleans and has come West to prosper further - or does she have an ulterior motive? In spite of some on line sources proclaiming this to be a remake of "Destry", which is a considerably better film as it happens, it really isn't a copy. The similarities are for sure there, but it is its own entity and deserves to at least be judged as such. We have a wonderful tried and trusted Western genre narrative thread where someone is out for revenge, only in this instance it's a foxy lady. Male suitors get in a tizzy about garnering her attentions, the bad guys potter about trying to avert suspicion - but do so badly, and there's some moral outrage from townsfolk who object to Frenchie's forthright money making success. While of course there's some truths to be born out - can open and worms everywhere type of thing. It's not very strong on the page, that's for sure, but there's plenty in the production to enjoy regardless. Cast are good value for the roles as written, not that there's any great chemistry between Winters and McCrea, but as she snake hips her way around town, and he fronts up with cool as a cucumber swagger, it's easy to just buy into the frothery of it all. The dialogue is often deliciously suggestive, the costuming is high quality (Yvonne Wood), and when action decides to make an appearance it's competently staged. Yet it's the cinematography that is the pic's best aspect. Maury Gertsman (Comanche Territory) is not a name that jumps off the page for cinematography notices, he definitely was a better purveyor in monochrome, but his Technicolor filters are excellent here. Then there's the gorgeous locales, where Buttermilk Country/Inyo National Forest please the eyes so much you wonder why these weren't used more often through the Western genre heydays? As a serious Western genre fan I wouldn't be comfortable putting this forward as a must see for like minded souls. However, for McCrea and Winters fans - and actually John Russell ones as well - this is no waste of time. 6/10
In this western, a cowboy and his pals must stop outlaws from stealing a cache of gold ore. Action ensues, and they succeed.
Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarty, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarty while tracking down evidence that will prove his innocence.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
A love triangle with a cowboy who steals the heart of a girl and turns out to have a mysterious past related to that of the other love interest
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
A weathered Sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.
Bob Fulton is the superintendent of a mine in the West. He wins the enmity of dancehall owner Jack King when he saves one of the girls, Rose De Braisy, from his unwanted advances. Fulton also wins Rose's love, which he does not return. The mine's owner sends his troublesome son, Roland Holt, out West to work at the mine. Before Holt leaves the East he secretly marries Beth Hoover. Upon Holt's arrival, Fulton tries to befriend him, but Holt prefers the company of bad-guy King.
Cowboy Lin McLean's restlessness takes him to Denver, where he becomes enamored of a waitress named Katie. Intending to marry her, Lin accompanies Katie back to the ranch, but a traveling rainmaker arrives in the little town, and Katie departs with him after revealing that he is her husband. Visiting Denver for Christmas, Lin adopts Katie's abandoned son Billy, and soon afterwards, the cowboy meets and falls in love with the new station agent, Jessamine "Jessie" Buckner. Lin and Jessie marry, and the little family is happy until Katie, determined to be rid of her neglectful husband and marry Lin instead, appears and drives Jessie away. Realizing that Lin does not love her, Katie poisons herself, and Jessie returns to Lin and Billy.
Dan and Tennessee are successful gold miners. Ace Brady learns of their success and sends Fox to rob them. During the robbery Fox shoots Tennessee and Ace arrives to arrest Dan for the murder. Dan escapes but is now a wanted man.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide - a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.