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**A somewhat surrealist film, which has value, but which is not for everyone's taste.** This film is a little disconcerting. It is an uncompromising Western, frontal, very raw and sometimes difficult to understand. It all starts with William Blake, an accountant from the East Coast, taking a train to a remote place in the West, to accept a job in the company of an unscrupulous industrialist. It turns out that the vacancy was filled by someone else: at the end of the day, unmotivated, he goes to bed with a prostitute and ends up killing a man who tried to kill her out of jealousy. This man was the son of the factory owner, who sends henchmen after Blake, who is unaware of this and runs away, ending up in the company of a strange Indian named Nobody. The film has great artistic note. It has excellent black and white cinematography, makes intelligent use of light, shadow, angles and filming framing. The sets and costumes are very good: they are not particularly rigorous from a historical point of view, the film was not concerned with being strictly framed in time and space, so that aesthetics prevails over the realism of the recreation. However, the aesthetic value is remarkable, and it gives us a raw, rough and dirty vision of the West. Jim Jarmusch ensures effective management that makes the most of what's in its hands. There are a good number of visual effects and the soundtrack, based on the electric guitar, is atmospheric and somehow fits into the film effectively, even if it is never one of the soundtracks that we will want to have on CD. The film has a series of good actors, of which Johnny Depp stands out in an almost natural way. He was still young here, but he already showed his taste for playing the most bizarre characters. However, and perhaps because of the bizarre nature of the film itself, it is not one of the actor's greatest works. Iggy Pop, Robert Mitchum and Crispen Glover are also here, and they do an interesting and sincere job, in rough, tough characters, with few lines and a lot of presence and impact. The big problem with the film – and it really is a big one – is that it is so apparently complex and almost surreal. At various times it is suggested that the character played by Depp is a man who is already dead, and there is almost a synesthesia between the accountant and his British namesake, who was an artist and poet and who would be, at the time of the events of the film, really dead! It's very strange, and such strangeness makes this not a film for everyone's taste.
Veronica, the new girl in town, is lured into the woods by a group of senior boys looking to make her a victim. But the boys don't know that Veronica's been trained to handle herself in surprisingly lethal ways.
Tom Cameron is searching for the outlaws who ambushed a wagon train, murdered his parents and stole the deed to their land. Though he was only a child at the time, he vividly remembers the scar on the ringleader's face - and Tom will stop at nothing until he brings him to justice … and exacts vengeance.
A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.
A popular American novelist, who has written her first non-fiction work about the political infidelities and corruption within the tiny South American country of San Hermoso, returns to that very country as part of a publicity junket prepared by her publishing company. Traveling with her best friend and confidant, she is abducted by a mysterious cartel that proves to be the secret police arm of the government. In order to win her freedom and to save her friend's life, she is forced to commit a murder that would be beneficial to San Hermoso's dictator. Will she be willing to trade a life for a life and pull the trigger to murder her unknown target in cold blood? Will the C.I.A. be able to reach her in time? Will she even survive?
After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillinger's bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him.
Caddish lawyer Lee Gentry is going out with Katy Costello, but carrying on an affair with dancer Carmen Brown. When he wants to end the dalliance with Carmen, she is so distraught that she becomes suicidal. Seizing the gun from Carmen, he accidentally shoots her, and thinking she's dead, concocts a series of increasingly outlandish alibis to cover his tracks under the guidance of a ghostly apparition that is his alter ego.
After living for over two centuries, Augusto Pinochet is a vampire ready to die… but the vultures around him won't let him go without one last bite.
Govardhan, a doctor by profession, is wrongly accused of bombing a train and is jailed by the British in Cellular Jail, also known as Kala Pani in Andaman and Nicobar Islands. He witnesses sufferings of hundreds of Indian prisoners there.
West Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later sells them to French competition. However, when scandal errupts, Rosemarie would find that she can't beat the system.
Luisa Latin, betrayed by her husband, is imprisoned for the murder of her husband's mistress - who is still alive. When Luisa is released from prison, she kills her.
This TV-Movie is based on real events that took place in southern Germany in the mid 80's. A policeman tries to build a house for his family while he experiences financial troubles; everything goes tragically wrong from then on.