War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Now look at this, someone made the Handmaid's Tale into something watchable. You know what the difference between this and the series is? I'll give you a hint it's two things... do you have it yet? Time and story. The TV show has FAR too many episodes, and each is far too long to tell a compelling story. The 1990 HBO version is only about 100 minutes. It's not dragged out to the point where it is filled to overflowing with, well, with filler. It delivers a clean and concise story that didn't spare a cut. And because of that it works. But.... it also has Faye Dunaway, and it has Natasha Richardson, and it has Robert Duvall, and it has Aidan Quinn... and those are all people that everyone would be honored to cast, and they were certainly people that anyone would be thrilled to cast back in 1990. So, what you have is a clean script that is void of unnecessary filler (and in the case of the TV series, free of painfully long unnecessary filler) and that script is acted out by some of the best people in the industry. You can't ask for more.
Yikes, but there must have been some volume of hairspray used in this production that makes the "Stepford Wives" look like an ordinary family street. The women are divided into two groups in this futurist version of the USA. The blue are the privileged and wealthy, the red are the surrogates in a society that cannot now readily breed. A few lucky men are the commanders, lording over everyone and having their own fun trying to conceive children much as roosters fertilise hens. "Kate" (Natasha Richardson) is one such red dress. She is to be indoctrinated into the mansion run by "Serena Joy" (Faye Dunaway) so she can service the sexual needs of the boss (Robert Duvall). Now they only have a certain amount of tries at the conception lark, and if they don't come up with the goods then they go back to an homeless oblivion. She isn't getting pregnant but nobody dares to ask if it's the "Commander" who is firing blanks so she befriends him, tries to earn his trust whilst all along making plans with his driver "Nick" (Aidan Quinn) to get the hell out of the place. She might just be in luck as there is an increasing unrest amongst society at large with this hierarchical and zealous societal structure that sees the wealth - money, food and children, in the hands of very, very few. It's starts off quite intriguingly but pretty quickly runs out of steam with some really stilted performances and dialogue - despite having Margaret Atwood and Harold Pinter as the wordsmiths. Dunaway doesn't really appear enough to make much difference and by half way through I thought that it might have worked better on stage - though whether I'd have bothered to leave the bar after the interval is a good question. It's all adequate enough, just nothing special.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs."
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.