The Coddling of the American Mind 2024 - Movies (Feb 6th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
V/H/S/Beyond 2024 - Movies (Feb 6th)
Mafia Wars 2024 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Slide 2025 - Movies (Feb 5th)
Queer Planet 2024 - Movies (Feb 5th)
The Forge 2024 - Movies (Feb 4th)
Green and Gold 2025 - Movies (Feb 4th)
Grace Wins 2024 - Movies (Feb 4th)
Deadzone 2024 - Movies (Feb 4th)
The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
Thirsty for Likes 2024 - Movies (Feb 4th)
Three Secrets 2024 - Movies (Feb 4th)
Ryans World the Movie Titan Universe Adventure 2024 - Movies (Feb 4th)
The Five - (Feb 6th)
The Ingraham Angle - (Feb 6th)
Happys Place - (Feb 7th)
Elsbeth - (Feb 7th)
Lets Make a Deal - (Feb 7th)
The Bold and the Beautiful - (Feb 7th)
Deadline- White House - (Feb 7th)
The Price Is Right - (Feb 7th)
The Beat with Ari Melber - (Feb 7th)
First Dates Ireland - (Feb 7th)
Someday at a Place in the Sun - (Feb 7th)
Building Outside the Lines - (Feb 7th)
The Apprentice - (Feb 6th)
Piers Morgan Uncensored - (Feb 6th)
Malta- The Jewel of the Mediterranean - (Feb 6th)
Deal or No Deal - (Feb 6th)
Love Island- All Stars - (Feb 6th)
Richard Osmans House of Games - (Feb 6th)
The Dog House - (Feb 6th)
Andrea Mitchell Reports Reports - (Feb 6th)
The Gunsligerette Gunslinger is directed by Roger Corman and written by Charles B. Griffith and Mark Hanna. It stars John Ireland, Beverly Garland, Allison Hayes, Martin Kingsley, Jonathahn Haze and Chris Alcaide. Music is by Ronald Stein and cinematography by Frederick E. West. When the sheriff of Oracle, Texas, is murdered by outlaws, his widow Rose Hood (Garland) takes over as Marshal and sets about cleaning up the town... As Roger Corman started out directing, a few years before he would turn his hand to the Edgar Allan Poe adaptations that would find him respect and leave his mark on cinema, he ventured into the realm of the Western. None of these Westerns were particularly good, in fact they are some of the lowest rated Westerns on IMDb, with Gunslinger currently at the bottom of the pile with a 2.8/10 weighted average! Yet, and it's really not a movie you would want to revisit often - if at all, there's a quirkiness and feminist angled bravery about the whole thing that earns a tiny bit of respect. The problems are many. It's over talky and slow, and what action there is is so badly staged it comes off like an amateur playhouse production. Then there's the acting. Ireland kind of escapes criticism because he walks around in a dazed state, it's like he can't believe what he is doing there, you can see him thinking to himself that he was working for Howard Hawks and Anthony Mann not long ago! Garland is OK, spunky and at least correct in line deliveries and visual reaction to situations, and Hayes is sexy enough to get away with the incredulity of it all. The rest, however, are desperately poor, with some of them resorting to auto-cue type acting. Visually it's also poor, with barely dressed sets looking as fake as fake can be, especially when they shake as actors bump into them. Filmed in Pathecolor, the exteriors are sadly lifeless, the colours bland, and this in spite of the decent DVD print that I viewed. The sped up horse riding sequences raise a chuckle, while goof spotters will have a field day here. All told, with a weak and preposterous finale sealing the deal, it's a well below average "Z" grade Oater. One that's fun for the wrong reasons, but still! The sight of Garland blasting away with shotgun in hand, with star badge on chest, is a sexy image I shall not forget in a hurry! 3.5/10
_**When the town marshal is better-looking than the saloon girls**_ After her lawman husband is murdered in Oracle, Texas, Rose Hood (Beverly Garland) takes over the job of marshal to track down those behind the slaying. Meanwhile the saloon owner (Allison Hayes) wastes no time in hiring a hitman to take her out (John Ireland). "Gunslinger" (1956) is the sixth film directed by trailblazing Indie filmmaker Roger Corman (his seventh if you count his uncredited work on “The Beast with a Million Eyes”). Like his debut flick from the year prior, “Five Guns West,” it’s a quickie B Western shot in color, but this one’s superior due to its originality, filmed in seven days (instead of his usual six). It was a troubled shoot with it raining five of the days and the corresponding mud. Corman described it as "one of the worst experiences of my life” with Hayes (Erica) wanting to leave the film after falling off her horse due to it slipping in the mud and breaking her arm. Meanwhile the unique love scene in the tree was plagued by biting red ants. With a female protagonist and antagonist, not to mention overblown melodrama that borders on caricature, this Western is reminiscent of “Johnny Guitar” (1954), although not quite as surreal or exceptional. Corman doesn’t fail to continuously throw-in entertaining bits, like the dancing saloon girls, a knock-down drag-out catfight and the Little Man’s cute-but-doomed love for Erica (Jonathan Haze). Not to mention, the loveliness of the two stars doesn’t hurt, especially the stunning Allison Hayes (whose maliciousness detracts from her beauty). Despite the difficult production, Beverly considered it one of her favorite roles, and understandably so since it was (I think) the first female marshal/sheriff role in a movie Western. She did a smashing job. The film runs 1 hour, 23 minutes, and was shot at Jack Ingram Ranch in Topanga Canyon, Woodland Hills, Los Angeles, California. GRADE: B
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
A Texan traveling across the wild West bringing the news of the world to local townspeople, agrees to help rescue a young girl who was kidnapped.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
Frontier peacekeeper Sheriff Galt faces a crisis of conscience in The Iron Sheriff. In the aftermath of a robbery-murder, Galt follows the trail of evidence directly to his own son, Benjie. Sworn to uphold the law at all costs, Galt is grimly determined to see that Benjie will receive a fair trial without any coercion on his part. But the townsfolk have already decided that the sheriff will try to spring the boy, and a lynch-mob mentality slows festers its way through the community. As the trial proceeds, it becomes obvious that Benjie is going to hang for his alleged crime, but there's still one or two surprises in store.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
In early spring of 1833, the smoldering resentment of American settlers in Texas against their oppression by Mexico dictator General Santa Anna/Ana coming to a head. When a decree is issued that no more Americans may enter Texas, William H. Wharton, fiery head of a faction determined on independence or nothing, warns Stephen F. Austin that the time for half-measures is past. Austin, responsible for bringing the Americans to Texas as colonists, reminds Wharton that a settler's revolt against Mexico would dishonor his name and the arrangements he had with the Mexican government. He gets the "Whartonites" to agree to a general convention of all colonists. Almerian Dickinson, biggest land owner in the settlement of Gonzales, deeply in love with his wife Anne, warns Wharton that a bloody revolt would endanger every wife and mother in the colony. He proposes they send Austin to Mexico City to ask Santa Anna to grant Texans a voice in their own government.
A sheriff and his posse set out to catch a murderer, but their mission proves more dangerous than anyone suspected after they become stranded in the desert and attacked by Apaches.
Jeff arrives in town to see the Sheriff only to find him just killed. The culprit is Clay Wheeler. When Jeff becomes friendly with Letty, Clay sends his man Ortega to kill him. Jeff foils the attempt and gets him to confess that Clay was the killer. With only old-timers Lafe and Bill to help, Jeff heads after Clay and his gang.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.