The Coddling of the American Mind 2024 - Movies (Feb 6th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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Green and Gold 2025 - Movies (Feb 4th)
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The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
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Perfect Match - (Feb 6th)
Family Feud Canada - (Feb 6th)
Someday at a Place in the Sun - (Feb 6th)
Bargain-Loving Brits in the Sun - (Feb 6th)
Dateline- Secrets Uncovered - (Feb 6th)
Ozark Law - (Feb 6th)
Pawn Stars - (Feb 6th)
A League of Their Own - (Feb 6th)
The Chase Australia - (Feb 6th)
Watch What Happens Live with Andy Cohen - (Feb 6th)
After Midnight - (Feb 6th)
The Family Business- New Orleans - (Feb 6th)
Tribunal Justice - (Feb 6th)
Clean Slate - (Feb 6th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
**To face a revenge threat!** Okay the first film was good one. Then I thought it was unnecessary to make a sequel for it. But someone clarified that it was not made outside the novel to make money. It's indeed adapted from the sequel book of the original film's source. Though coming out 20 years later was the disadvantage. Except some praises it had received, particularly by its hardcore fans, it was average at the box office and I thought same as well. I did not like the story. It was just a random drag, not knowing what direction to head. That's until the third act, and once all the three main characters come together, so it gets interesting with something. Like surviving from from a revenge threat. It was the actors who saved the film. Otherwise, it is not even an average as I consider now. I don't think retaining the title was a good idea, but I think it was just for its fans. Or else, a new title name would have done a decent justice to what it had narrated. As I know, this is the director's first ever sequel and he's not getting better since his Oscar win, a decade ago. Especially the last two flicks, despite based on the very good subjects. Definitely no to the T3. Instead, I want another Oscar nod film from him. This would have been ever worse if somebody else would have made it. Yet, a watchable film, only if you had liked the first. So just think about it before going for it after seeing only positive words from a few people. _5/10_
OK...it may be bias, Trainspotting was one of my favorite movies, and one of the better, if frustrating, books I experienced in High School. And, I really want to avoid any hints towards the plot as....it might kill a lot of the humor for those that haven't seen it. So excuse the vagueness, but after watching it, you might see where its necessary from an entertainment not a twist standpoint. So...the bad: It is NOT "Porno" which breaks the heart because, well, "Porno" was absolutely hysterical, right down to why it had its title. That being said, the draw is the cast. Trainspotting was one of those "how the hell did they make this book into a coherent movie" movies and in many aspects "Porno" would have been easier, but would certainly still fit into that mold. So it's likely better that T2 didn't follow the book. Anyway, the joy is just seeing the crew back together again, the chemistry is still there, it's totally an ensemble cast and that was really the principal draw to the first film as well. I don't want to give away the plot, but the cast just works so well together, they know their characters and live them. And the characters are delightful to watch. I sort of feel that they could have thrown any script at them, and so long as the cast and characters stayed the same...the film would have been thoroughly entertaining. It doesn't hit as hard as the first film, but everyone has aged and it's still....brilliant. Really, you're watching it for the cast and characters, and it pays off in sheer entertainment.
A rather good sequel! 'T2 Trainspotting' is exactly what I expected it to be. Turns out, it was also exactly what I wanted it to be. I thought it was great! I mentioned in my review of the original that I didn't like the characters, at all. Whilst that is indeed the case for that film, in this follow-up it does a grand job at making you care for the main bunch more; well, aside from Franco but we don't talk about Franco. It probably is missing out on as much substance (pardon the pun), if only when compared to the 1996 flick, but evidently I'd argue it makes up for that with improved (harsh/wrong choice of word, perhaps) characterization. Even though I only watched the other movie for the first time a mere few hours prior, it was still cracking to see Ewan McGregor, Ewen Bremner, Jonny Lee Miller and Robert Carlyle back together in their respective roles - aged 'n all. I appreciate both films, albeit in different ways. This one I actually 'properly' enjoyed, whereas before it was more an appreciation of how effectively it was told. Terrific productions either way, really.
Five different criminals face imminent death after botching a job quite badly.
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Batman must battle a disfigured district attorney and a disgruntled former employee with help from an amorous psychologist and a young circus acrobat.
C.R. MacNamara is a managing director for Coca Cola in West Berlin during the Cold War, just before the Wall is put up. When Scarlett, the rebellious daughter of his boss, comes to West Berlin, MacNamara has to look after her, but this turns out to be a difficult task when she reveals to be married to a communist.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.