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"Santee Turns Bounty Hunter" Black Spurs is directed by R.G. Springsteen and written by Steve Fisher. It stars Rory Calhoun, Linda Darnell, Lon Chaney Junior, Terry Moore, Bruce Cabot, James Best, DeForest Kelly and Scott Brady. Music is by Jimmie Haskel and Technicolor/Techniscope photography is by Ralph Woolsey. A brisk and ebullient Oater out of Paramount, Black Spurs finds Calhoun as Santee, a sharp shooting gunman turning to bounty hunting and then paid to corrupt the town of Lark. Lark has been pencilled in to receive the on coming railway, so wealthy town owner of nearby Kile, Gus Kile (Chaney), hires Santee to discredit Lark in order to have the railroad routed through Kile instead. Once in Lark, Santee finds lots of resistance, particularly from an ex-lover and her husband, the sheriff! Plot holds few surprises as per outcome and characterisations, but the pic is no less entertaining for it. There are a number of live wire action sequences, with Santee often proving he is the number one gun in the West, and there's even some evil nastiness portrayed when things start to come to a head. The seedy saloon set up by Santee is awash with beautiful girls in beautiful costumes, and these girls drink beer out of pint pot tankards! The villains are a gruff, rough and tough bunch, and naturally there's a big good versus evil heart thundering away in the story. Calhoun has swagger and dangerous sexuality in abundance and he's surrounded by a good cast of pros. Darnell and Chaney, however, were winding down their careers, and in truth their two characterisations could have been played by any studio actors of the time, but they don't disgrace themselves as Springsteen wisely keeps their screen time to a minimum. The Techniscope photography doesn't really add much as more could have been made of the exterior locations, while Haskel's score is a bit too jaunty for its own good. It feels like a 50s Oater at times, which is no bad thing at all. Not prime Calhoun or a prime 60s Western, but much to enjoy here for the discerning Duster fan. 7/10
_**How to turn a good Western town into a wicked one**_ In the late 1880s, a former ranch hand becomes a bounty hunter after developing as a gunman (Rory Calhoun). While his former-fiancé settles down with a good sheriff (Terry Moore & James Best), the now notorious bounty hunter is hired to tarnish the town’s reputation by operating a saloon and bringing in gambling & prostitution. The cast also includes the likes of Scott Brady, Lon Chaney Jr., Richard Arlen, Bruce Cabot and DeForest Kelley. “Black Spurs” (1965) tends to be dismissed because it’s an A.C. Lyles production; he was known for B Westerns that featured over-the-hill actors. TV vibe or not, Calhoun towers in the role of the masculine protagonist, there’s a lot of Western action and the adult-oriented, soap operatic story is compelling. On the feminine front you have the likes of redhead Rusty Allen and blonde Sandra Giles. This was Linda Darnell’s final movie, released posthumously after tragically dying in a house fire at the age of 41. While lacking the production sheen of notable 60’s Westerns like “One-Eyed Jacks,” “Nevada Smith,” “Hombre” and “Bandolero,” I’d watch this any day over overrated ones like “The Man Who Shot Liberty Valance,” “A Fistful of Dollars” and “For a Few Dollars More.” The movie runs 1 hour, 21 minutes, and was shot at Iverson Ranch, Ray Corrigan Ranch and Paramount Studios, California. GRADE: B
A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Willie Duggans, a tenderfoot from the east, arrives in the wild west and soon experiences its violence. Willie discovers the easy money in bounty killing and must choose between that violent lifestyle and the love of a beautiful saloon singer.
In 1880s Australia, a lawman offers renegade Charlie Burns a difficult choice. In order to save his younger brother from the gallows, Charlie must hunt down and kill his older brother, who is wanted for rape and murder. Venturing into one of the Outback's most inhospitable regions, Charlie faces a terrible moral dilemma that can end only in violence.
Maurizio Merli stars as a hatchet-wielding bounty hunter with a dark past and an even more desperate future. But when he disrupts the balance of power in a corrupt mining town, he unleashes a firestorm of brutality, betrayal and cold-blooded murder. Now, one man stalks a savage land where justice walks a razor and no bullets slice deeper than vengeance. He is A MAN CALLED BLADE.
The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.
When Black Bill's father is murdered and his uncle kidnapped, he sets out in pursuit of the perpetrators.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.
On the way to pick up the bounty on a wanted murderer, a bounty hunter stops at a staging post where he is forced to continue his journey with two outlaws who want the murderer for their own reasons and a recently-widowed woman, with the murderer's brother and his men in hot pursuit.