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I'm tired of death - It keeps on following me. Return of the Gunfighter is directed by James Neilson and adapted to screenplay by Robert Buckner from a story by Burt Kennedy. It stars Robert Taylor, Chad Everett, Ana Martín, Mort Mills, Lyle Bettger, John Davis Chandler and Michael Pate. Music is by Hans Salter and the Metrocolor cinematography is by Ellsworth Fredericks. Aging gunfighter Ben Wyatt (Taylor) receives a request to go aid an old friend who's in trouble. Upon arrival at the family ranch he finds that both his friend and his wife have been killed. Locating the surviving daughter, he teams up with hot headed drifter Lee Sutton (Everett) and sets about avenging the murder of his friend and the girls parents. By this time Robert Taylor was winding down his career and his life, 1967 would see him depart from the Western genre of film, how splendid to find he doesn't in the slightest disgrace himself here. His character is weather worn, a gunfighter tired of all the killing, of looking over his shoulder all the time. This proves to be perfect for Taylor, who gives the role a believable sense of pathos, the passing of time and that fate will not leave him alone hangs heavy. Breaking it down it's a straight forward narrative, where the one time bad guy is called on to use his deadly skills for some good, to rid the plains of some nasty sorts. The relationship with the young upstart (Everett the whitest teeth in the West) builds nicely, leading to a finale that attacks the emotions of the major players. There's a healthy quotient of action, decently staged by the tech crew, the Old Tuscon locations are nicely photographed, while support players impact with credit on the story. It's not all plain sailing, Salter's score is sometimes well in keeping with the era, but at other times it comes off like a Sccoby-Doo piece. Suspension of disbelief is of course required, none more so than when Ana Martín goes about the town pretending to be a boy and everyone falls for it - she is simply too pretty to remotely pass as male, and the appearance of Butch and Sundance in the plot is most odd. Yet it's a lovely Oater this, feeling more like one from the 1950s than from the tail end of the 60s. Highly recommended to Taylor fans and fans of traditional Western fare. 8/10
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.
Legendary marshal Wyatt Earp, now a weary gunfighter, joins his brothers Morgan and Virgil to pursue their collective fortune in the thriving mining town of Tombstone. But Earp is forced to don a badge again and get help from his notorious pal Doc Holliday when a gang of renegade brigands and rustlers begins terrorizing the town.
Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.
Rich momma's boy Wade Kingsley Jr. an Eastern dude, tries to follow in his murdered father's footsteps by returning to the West to partner up with Slim Moseley Jr.,the son of his father's former partner. Wade overcomes Slim's initial reluctance to accept him by using his fortune to buy a prize cow and new car to help Slim in his job as foreman on the Kingsley family ranch, currently under siege by a gang of outlaws called "masked raiders." Wade generously tries to pay off the ranch's mortgage with $15,000 of his own money, but unfortunately neither "pardner" realizes that respected banker Dan Hollis, the son of their fathers' murderer, is the leader of the gang.
Afflicted with a terminal illness John Bernard Books, the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler. Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow and her son. However, it is not Books' fate to die in peace, as he becomes embroiled in one last valiant battle.
The town of Primrose, Arizona is beset by outlaws, so the towns people hire Fletcher Bissell III (A.K.A. The Silver Dollar Kid) as their new sheriff. Fletcher is so cowardly the townsfolk are sure that the local outlaws will be too proud to gun him down. This proves to be the case, and the outlaws hire their own cowardly gunfighter, Chicken Farnsworth, to go up against The Silver Dollar Kid. Written by Jim Beaver
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
Western remake of Jack London's The Sea Wolf. A sadistic mining camp owner "hires" scoundrels to work the mine. He just won't let them quit.
A band of Mexicans find their U. S. land claims denied and all the records destroyed in a courthouse fire. Their leader, Louis Chama, encourages them to use force to regain their land. A wealthy landowner wanting the same decides to hire a gang of killers with Joe Kidd to track Chama.
