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Well the deer didn't know where he was, and I wasn't sure either. There's a certain school of thought with Eastwood purists that Joe Kidd is far more meaningful than its reputation would suggest. In fact, that it most certainly is not in the lower tier of Eastwood Westerns that ratings across internet forums say otherwise. Truth is, is that with Eastwood starring, Robert Duval and John Saxon supporting, John Sturges directing and Elmore Leonard writing, well this really should have turned out far better than it did. In short order it has Eastwood as gunslinger/bounty hunter Joe Kidd who somehow finds himself helping a wealthy landowner and his henchmen to track down a Mexican revolutionary leader - it's a land issue we think.... But once on the trail as part of the posse, Kidd comes to find a conflict of interest and soon enough taking sides is just one of the issues to hand. Sadly I myself can't join with the band of loyal fans who put forward this as a misunderstood piece of work. It plods along as it works its way through a muddled screenplay, which really is very thin from a narrative standpoint, and ultimately it doesn't pay off for character crescendo value come the finale. Add in that Duval's character is poorly under written and Saxon is miscast and you got a few problems to be annoyed about. However, the script does have some nifty dialogue, Bruce Surtees' location photography is outstanding, while Eastwood is yet again a magnetic presence that draws you in to stay the course. Action is well enough handled, including a brilliant finale involving a train as a weapon of mass destruction, and there's some weapons of interest to be interested in!. But you feel that there should have been a bit more complexity on show here, and that the running time of just an hour and twenty minutes does suggest, there's half an hour of film that really should have been added here. 6/10
'Joe Kidd' is solid. It's not Clint Eastwood's best work but it's still a role that sufficiently entertains. You also have an important role for one Robert Duvall, who did 'The Godfather' in the same year interestingly. No-one else really stands out; not even the miscast John Saxon. The plot is a simple one, which thankfully doesn't drag thanks to a short run time of around 90 minutes. There's also an amusing scene involving a choo-choo, so there is also that. Overall, it does enough for me.
**_Eastwood’s “lost” Western with Duvall and Saxon_** In the Southwest in 1902 a land-grabbing tycoon (Robert Duvall) hires an ex-bounty hunter (Clint Eastwood) in order to track down a Mexican leader who objects to injustice (John Saxon) and is hiding out in the high country with his people. Don Stroud is on hand as one of the pompous gringo’s heavies. "Joe Kidd" (1972) is generally viewed as one of Eastwood’s lesser Westerns when it’s more entertaining than Sergio Leone’s overrated trilogy from 1964-1966, at least in my opinion. It has a notable cast, a superb score and great locations, not to mention being directed by John Sturges, known for great (or near-great) films like “The Law and Jake Wade” (1958), “Chino” (1973) and “The Eagle Has Landed” (1977). True, Sturges was reportedly struggling with alcoholism during shooting and the story starts to meander in the high country during the second act, but the flick works as a whole and everything ties-together for the climax. Originally, Saxon’s ‘bandit,’ Chama, was supposed to be more heroic, but this was changed when Clint was hired on and Joe Kidd became the amusingly fearless hero, the intermediary between two opposing forces. Very little is predictable, from the interesting costumes & weaponry to the bizarre plot twists to the amusing ways the protagonist gets himself into and out of trouble, like the ladder/trapdoor sequence, the swinging water jug scene, the sniper vs. sniper sequence and the whacky train ride. Stella Garcia (Helen) and Lynne Marta (Elma) are featured in the feminine department. Anyone who favors Eastwood’s other Westerns will find a lot to like here. The film runs 1 hour, 28 minutes, and was shot at Old Tucson & Sonoran Desert, Arizona, and Alabama Hills & Inyo National Forest, California. GRADE: B+
An ex-con seeks revenge on the man who put him in prison by planning a robbery of the latter's stagecoach, which is transporting gold. He enlists the help of a partner, who could be working for his nemesis.
Back from the US to his village in Niger, a man brings western outfits to his close friends, who immediately identify with cow-boys. A bloody western begins in the savannah...
William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.
When the Scooby gang visits a dude ranch, they discover that it and the nearby town have been haunted by a ghostly cowboy, Dapper Jack, who fires real fire from his fire irons. The mystery only deepens when it’s discovered that the ghost is also the long lost relative of Shaggy Rogers!
An old geezer recalls some of the antics of the men and women of his western town, more wild and woolly than Tombstone or Dodge City. In this town no one is a good shot, the women are hungry for new meat, and practical jokers abound. A stranger strolls into town, proving resistant to the mayhem, and after donning some cowboy duds begins cleaning up that town.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide - a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.
The Arizona Territory, the 1870's. Marshal Frank Wilcox, along with a Buffalo Soldier from the U.S. Army, must galvanize a group of survivors to fight back when the living dead rise and seek the flesh of the living. It's a world gone mad and a battle against the unthinkable. Joined by an Apache Chief and an outlaw prisoner, the group must learn how to survive in a time where the dead walk.
A cowboy has to get 12,000 dollars in stolen bonds from the ex-girlfriend of his partner, or the gang holding him hostage will kill him.
A cowboy comes to a town at Christmas time. He eats at a cafe but was unable to pay for his meal, so the owner throws him in jail. The town wants to alleviate their guilt over a Mexican family, who has pregnant woman with them, who lives on top of a mountain called Christmas mountain. They bail out the cowboy and tells to bring some old clothes and food to them. While there the young boy of the family feels sorry for him and prays that god will send him some help. It comes in the form of an old friend of his who died years ago. He tells him that he is not exactly living a proper life but he has a chance to turn things around, first by telling the townsfolk that their so called charity towards the Mexicans is not enough.
Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.