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'Inherent Vice' is the next feature film from Paul Thomas Anderson and you can tell. It boasts a great soundtrack, brilliant acting and a very convoluted story as it tells the story of a private detective (Phoenix) as he investigates into the disappearance of a former girlfriend. The screenplay is very confusing. It is hard to follow and purposely so as it introduces many characters and multiple stories but I have heard that this aspect of the screenplay is very true to the original source material. All I could do was admit that the film was too bewildering and to enjoy the many jokes and humorous situations. Joaquin Phoenix is tremendous as the main character Larry "Doc" Sportello. He is complimented with a great supporting cast such as Josh Brolin and Benicio Del Toro. Overall, 'Inherent Vice' is not a typical popcorn flick and I was very confused by the overwhelming plot. ★★★½
I kind of feel that Anderson lends himself to a film like this. He uses a lot of extreme wide angles and if you ever smoked a little dope in college the world looks a little like when you mount that 18mm on your SLR. His choice of lenses lends itself to telling the story of a guy like Doc without going over the top ala Fear and Loathing and making it a little too blatantly FX. The humor works in best possible dry as a martini kind of way, and it's played straight like comedy should be. But really, the premise sold me. Take a hard boiled film noir kind of mystery and replace Sam Spade with the perpetual stoner and then watch him try to solve a mystery. It's incoherent enough to make you believe that Doc is just a little too rocked to function properly most of the time, which is reflected in his effectiveness and decision making skills. He's smart enough to not bumble his way through it, but has gotten off the magic school bus enough to do his best possible work. And it makes the film do that one singular thing that all movies are required to do in order to be called a success... it entertains. And honestly it's a delight to watch. The acting was great, the director was the best possible person to take on the adaptation, and the lighting walked that fine line between naturalistic and cinematic. I'd call it a beautiful film, but it's hard to call a movie about drugs beautiful without sounding utterly pretentious... so, I'll settle with the highest praise a movie can get... it's entertaining and a pleasure to watch.
Toxic masculinity has come to a head and this story explores the consequences not just for women, but for men. The phrase "toxic masculinity" is thrown around flippantly, and its potential root causes are very rarely explored. When a person is plagued with jealousy, they are willing to do almost anything in order to acquire what they desire. Our protagonist, August, internalizes the relationship that his best friend Wren shares with his girlfriend Julia as a direct, personal attack on him and his identity. Due to the fact August is not getting the same amount of attention and affection that he is used to from Wren, he goes behind Wren's back to manipulate Julia. August's internalized turmoil triggers an out-of-body experience that then drives him to make intimidating, coerced advances toward the people he loves.
A psychiatrist faces his past, present and future when he finds himself involved in the treatment of a young man recently released from prison for a murder committed when the boy was just 11 years old.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.