Cabrini 2024 - Movies (Oct 2nd)
The Outrun 2024 - Movies (Jan 20th)
Love Over Money 2024 - Movies (Jan 20th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
Surrounded by Spirits 2024 - Movies (Jan 19th)
A Nanny to Die For 2024 - Movies (Jan 19th)
Witness Underground 2024 - Movies (Jan 19th)
Laugh Proud 2024 - Movies (Jan 19th)
Admissions Granted 2024 - Movies (Jan 19th)
AI and the Future of Us An Oprah Winfrey Special 2024 - Movies (Jan 19th)
Australia The Wild Continent 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Every Little Thing 2024 - Movies (Jan 18th)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Wheres Wanda - (Oct 2nd)
The Bay - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Hollywood Squares - (Jan 20th)
When Calls the Heart - (Jan 20th)
The Last Socialist Artefact - (Jan 20th)
The View - (Jan 20th)
Married to Medicine - (Jan 20th)
TMZ Live - (Jan 20th)
Countryfile - (Jan 20th)
LIVE with Kelly and Mark - (Jan 20th)
The Good Stuff with Mary Berg - (Jan 20th)
Sister Wives - (Jan 20th)
90 Day Pillow Talk Before the 90 Days - (Jan 20th)
The Sunday Show with Jonathan Capehart - (Jan 20th)
Very Scary People - (Jan 20th)
90 Day Fiance- Before the 90 Days - (Jan 20th)
Home Town - (Jan 20th)
Where We Call Home - (Jan 20th)
“Do you know what Dr. Johnson said? Guests, like the fish, start to stink on the third day.” “In fact, I think you'll find that I start to stink on the first day.” This exchange exemplifies the good and the bad about Barcelona; it’s full of acerbic Johnsonian sarcasm beautifully channeled by Chris Eigeman, but the third act feels more like the third day, with all that this implies. The film, about two young American cousins and their misadventures with the female fauna of the titular city, has another problem. The cousins, Fred and Ted, are skillfully and competently played by Eigeman and Taylor Nichols, respectively — Nichols's forced verbal tics only manage to make him seem like an ersatz Woody Allen (unusual for for writer/director Whit Stillman, who tends to evoke favorable comparisons to the legendary filmmaker), although he makes up for this with a scene described by Fred as “some weird religious ceremony based on Glenn Miller” — but the Barcelonans they get involved with are played by Australian, English, or American actresses; this is particularly jarring when it comes to the character played by Mira Sorvino, who is neither Spanish nor has the acting ability to pass for one. Applying the Italian neorealist approach, literally any randomly selected passerby on a Barcelona sidewalk would have done a better job; on the other hand, it’s possible that my complaint is irrelevant, especially considering that the females in the story are practically interchangeable. Even though he spends most of his time courting Marta (Sorvino), Fred ends up falling in love with Montserrat (Tushka Bergen); according to him, “I've seen her in all sorts of different situations and contexts” — situations and contexts that must have occurred in scenes written but not shot, or shot but ultimately cut (the script simply shrugs it off, mentioning towards the end that “We spend hours together on the phone, and she is so fascinating and charming”). Meanwhile, Ted ends up marrying Greta (Hellena Schmied), a late addition to the plot with whom Ted doesn't share much more quality time than Fred does with Montserrat. But perhaps this is precisely the point; as Ted says, “you see a beautiful girl and immediately you’re subject to all these emotions … you haven't even talked to the girl, and you already want to get married and spend the rest of your life with her”. He suffers from "a real 'romantic illusion' problem," and yearns, "instead of a fantasy built on the pretty slope of an eyebrow or the curve of an upper lip, to see the real person. Maybe even look into her eyes and see her soul." In that sense, the film is a true reflection of, as Roger Ebert put it in his review, "a vast yearning which can only be filled by a girl" that most of us experience before we reach the age of reason; sadly, Fred doesn’t seem to outgrow this juvenile yearning during the course of the film, and there is no indication that his relationship with Greta is less based on ciliary sloping and/or lip curvature than on the "real person."
A Martinique charter boat skipper gets mixed up with the underground French resistance operatives during WWII.
Gifted Hands: The Ben Carson Story is a movie based on the life story of world-renowned neurosurgeon Ben Carson from 1961 to 1987.
On the 25th of June 1983, the Lord’s Cricket Ground witnessed one of the biggest underdog stories in the history of sports. Fourteen inspired players - led by a man's self-belief and conviction - fought against all odds and orchestrated India’s greatest sporting triumph by beating the two-time World Champions West Indies.
Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.
After many years of confrontation, the treasures of Spain and France are empty. In 1721, the regent of France draws up an ambitious plan to inaugurate an era of peace and prosperity that will heal the economies of both nations: his intention is to build a solid network of marriage alliances that will involve four children of very different ages who know nothing of betrayals and power games…
Barcelona, early twentieth century. While a trio of masked burglars and their minions search for an ancient Moorish treasure that can only be located when the two parts of an ornamental chain are connected, Inspector Hernández and his faithful assistant Carlos follow the dreadful crime path they walk by. (Only the German cut of the three original Spanish episodes has survived.)
Set in the mid-80s, when a reporter is sent to cover the Challenger Space Shuttle launch only to become mixed up in the lives of some local students.
Milquetoast Henry Limpet experiences his fondest wish and is transformed into a fish. As a talking fish he assists the US Navy in hunting German submarines during World War II.
Directed in 1980 and released in 2013. On the issue of addiction in Iran in the 1980s. Mohsen's father is going to pass away soon due to an illness, however, Mohsen himself has been missing for 6 months. A BSc medicine student, he has become a drug addict and lost himself in the slums. Setting out to help him out of his conditions, and deliver his mother's care to him, his father starts searching for him. The movie is embedded in the social conditions of the 70s AD Iran, has a 70s Iranian chivalric tincture, religious color-as was the climate of the Iranian society at the time- and is blended with historic state propaganda. For the audience of that time, this movie would have received a fair score, as it touches on religious notions. However, the issue it addresses is far more complicated and sophisticated at this age, and its propaganda outlook can no longer attract significant commercial or critical attention.
Military men Rock Reilly and Eddie Devane are tasked with taking a prisoner, blonde bombshell Toni Johnson, on what becomes an unforgettable road trip. Toni, an enlistee who's in trouble for deserting her unit, soon proves that she's craftier than most inmates.
Three sailors are talked into trying LSD and marijuana-which, this film implies, are basically the same thing-and the effects of the drugs endanger the lives of their fellow sailors aboard ship.