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“Do you know what Dr. Johnson said? Guests, like the fish, start to stink on the third day.” “In fact, I think you'll find that I start to stink on the first day.” This exchange exemplifies the good and the bad about Barcelona; it’s full of acerbic Johnsonian sarcasm beautifully channeled by Chris Eigeman, but the third act feels more like the third day, with all that this implies. The film, about two young American cousins and their misadventures with the female fauna of the titular city, has another problem. The cousins, Fred and Ted, are skillfully and competently played by Eigeman and Taylor Nichols, respectively — Nichols's forced verbal tics only manage to make him seem like an ersatz Woody Allen (unusual for for writer/director Whit Stillman, who tends to evoke favorable comparisons to the legendary filmmaker), although he makes up for this with a scene described by Fred as “some weird religious ceremony based on Glenn Miller” — but the Barcelonans they get involved with are played by Australian, English, or American actresses; this is particularly jarring when it comes to the character played by Mira Sorvino, who is neither Spanish nor has the acting ability to pass for one. Applying the Italian neorealist approach, literally any randomly selected passerby on a Barcelona sidewalk would have done a better job; on the other hand, it’s possible that my complaint is irrelevant, especially considering that the females in the story are practically interchangeable. Even though he spends most of his time courting Marta (Sorvino), Fred ends up falling in love with Montserrat (Tushka Bergen); according to him, “I've seen her in all sorts of different situations and contexts” — situations and contexts that must have occurred in scenes written but not shot, or shot but ultimately cut (the script simply shrugs it off, mentioning towards the end that “We spend hours together on the phone, and she is so fascinating and charming”). Meanwhile, Ted ends up marrying Greta (Hellena Schmied), a late addition to the plot with whom Ted doesn't share much more quality time than Fred does with Montserrat. But perhaps this is precisely the point; as Ted says, “you see a beautiful girl and immediately you’re subject to all these emotions … you haven't even talked to the girl, and you already want to get married and spend the rest of your life with her”. He suffers from "a real 'romantic illusion' problem," and yearns, "instead of a fantasy built on the pretty slope of an eyebrow or the curve of an upper lip, to see the real person. Maybe even look into her eyes and see her soul." In that sense, the film is a true reflection of, as Roger Ebert put it in his review, "a vast yearning which can only be filled by a girl" that most of us experience before we reach the age of reason; sadly, Fred doesn’t seem to outgrow this juvenile yearning during the course of the film, and there is no indication that his relationship with Greta is less based on ciliary sloping and/or lip curvature than on the "real person."
Sifis, a young boxer, is going to challenge the Greek champion Vlassis Hristou, despite the opposition of his cruel, conservative father. His little sister Maria, a virgin teenager, gets pregnant after a romance with Lefteris. Her father reacts violently, because Lefteris comes from a destroyed family: his mother is a poor charwoman, his sister, Roula, a young harlot and his brother, Foivos, an ex-convict.
Genius artist Cesar Catilina seeks to leap the City of New Rome into a utopian, idealistic future, while his opposition, Mayor Franklyn Cicero, remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends, even like family. Based on experiences of director Shane Meadows.
Ex-safecracker Gal Dove has served his time behind bars and is blissfully retired to a Spanish villa paradise with a wife he adores. The idyll is shattered by the arrival of his nemesis Don Logan, intent on persuading Gal to return to London for one last big job.
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
Set in Milan in the summer of 1989 against the backdrop of the fall of the Berlin Wall, the film follows four frustrated individuals whose lives intertwine because of the loss of a planner.
It’s the ‘80s once again, new wave angst and genderbending fashion are all the rage, but new kid at school, Chance Marquis, is trying to find new ways to stand out. Being an odd and somewhat awkward teenager makes him the target of the school bully. To deal with this dilemma, Chance turns to the opposite ends of the high school spectrum for help. On one side is the flamboyant drag queen and at the other, the varsity jock, Levi Sparks with whom Chance develops a unique friendship.
Brooklyn, 1985. With the mob world as a backdrop, three life-long friends struggle with questions of love, loss and loyalty.
Two men share an odd friendship while they care for two women who are both in deep comas.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.