リリイ・シュシュのすべて

Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Frank Gannon, a veteran cop, is being hunted by his fellow police officers after they learned he has betrayed the brotherhood and exposed to the feds wide scale corruption of the LAPD. He has one day left to prove his case and survive.

Ex-cop Damon is trying his best to keep his younger brother Joe on the right track to winning the U.S. Kickboxing Championship. The only problem is Joe’s restless attitude toward living in Damon’s shadow. In a frantic search for his own identity, Joe gets mixed up with a crime family that heads one of the most dangerous underground fight circuits. Now it’s up to big brother Damon to bail him out.

A group of suburban teenagers try to support each other through the difficult task of becoming adults.

After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillinger's bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him.

Two brothers take their father into the city for the weekend for a rugby game and a night on the town. However, the old man dies in their hotel and the boys need to smuggle his body back to their farm and make it appear that he died there to satisfy a clause in his will or else they won't inherit the property.

A young girl struggles with her cultural identity.

A young man struggles to correct his life after the death of his father.

A bumbling and inept serial killer stalks the residents of a sorority house and finds himself up against a murderous competitor for the body count.

Measuring their power and proving themselves is part of the boys’ everyday life. Even for the 13-year-old gentle-natured Yannik. Until his best friend’s upcoming sexual curiosity suddenly puts him in a threatening situation. Where is the line between game and reality and what happens if that line is crossed?