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The Deepwater Dimwits. Riding Shotgun is directed by Andre De Toth and adapted to screenplay by Thomas W. Blackburn fro the story “Riding Solo” written by Kenneth Perkins. It stars Randolph Scott, Wayne Morris, Joan Weldon, Joe Sawyer, James Millican, Charles Bronson and James Bell. Music is by David Buttolph and Warnercolor cinematography is by Bert Glennon. Before he would make the Western movies with Budd Boetticher that would define him as a Western movie legend, Randolph Scott worked tirelessly in the genre. He would make 6 films with Ray Enright and 6 with Andre De Toth, all of these are good value for the Western fan. They vary in thematic quality, but production value was always decent and there was always Randy at war with some gruff or poncey bloke, nice location photography and of course some gorgeous ladies as well. That’s enough for genre fans who happily take these movies on their required terms. Anyone else got anything to say? Riding Shotgun has Scott as Larry Delong, a man who spends his time “riding shotgun” as a stagecoach guard. He has an ulterior motive, though, he’s constantly on the look out for a known outlaw, Dan Marady (Millican), and he wants him dead. Sure enough Malady is about the place and Larry falls into a trap and finds things spiralling so out of control, that by the time he manages to get back into town, practically everyone hates him and thinks he’s part of Marady’s murderous gang. Hate makes a man careless. Cue a scenario where Delong, who has been wonderfully providing us with a film noir like narration throughout (love the wry David and Goliath observation), literally has to make a one man stand against the dimwit townsfolk and also Marady and his henchmen who are fronted by twitchy gun Pinto! (Bronson). It clocks in at under 75 minutes, it’s brisk, it has Scott kicking ass big time and it looks lovely (unsurprising with Glennon photographing). Is it flawless? God no! There’s some distinctly below average acting around Scott (Morris/Millican), while Fritz Feld as the Cantina owner (erm, called Fritz) where Delong holes up, is annoying in the extreme. While as radiant and perky as Joan Weldon is, she’s no actress capable of grabbing a scene and shooting electricity through it. But this type of Scott Oater is comfort food to genre fans who once in a while like to down pistols and relax away from the more serious genre fare. 7/10
A young Mormon couple is attacked by a bunch of outlaws. They kill the man and the woman is raped several times and left for dead in the desert. With the last ounce of her strength she gets to the hut of an old hermit who nurses her back to health and teaches her how to shoot. The woman then frees three female criminals and seeks vengeance on the outlaws.
Two investigators for a stagecoach company are assigned to find out why the company's stages keep being ambushed. They discover that the culprits are white men disguised as Indians, and they set out to discover who is behind the plot.
The coming of the railroad to Cedar City spells the end of the stagecoach as the government gives the mail contract to the fastest means of delivery. McCord loses the stagecoach line gambling with the new buyer, but has enough hidden money to buy a ranch and some cattle. To make more money, he starts a gang to rob the railroad, express offices and steal cattle. But the railroads send out special agent Cameron to end his reign of violence.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Lash and Fuzzy sent to help John Watson with his stage line arrive to find him murdered. Recognizing the outlaws they trail them to their leader Baxter. But before Baxter can tell who the big boss is he is shot. After getting the stage through to assure the mail contract, Lash now realizes who the boss is.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
Residents of a small frontier town take up arms when vigilantes try to block a railroad right-of-way.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
In order to obtain a stage coach mail contract, a new road must be built. A gang of outlaws try to prevent the building of the road.
Union officer Kerry Bradford escapes from a Confederate prison and races to intercept $5 million in gold destined for Confederate coffers. A Confederate sympathizer and a Mexican bandit, each with their own stake in the loot, stand in his way.