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Local journalist Tom Patterson decided that is was time for a Shakespearian festival in Stratford. Not the one in Warwickshire, though - this one is to be several thousand miles away in another Stratford. Ontario. Armed with just C$125 he heads to New York to gauge interest and then against the odds manages to get funding to build a tented theatre and then to entice the director of London's Old Vic Theatre, Tyrone Guthrie, to come and give them some advice. Be bold, take risks and expect to spend cash! The first two they have little problem with, but these hugely enthusiastic people have to find C$15,000 over a weekend or they have arranged the travel of their play's director Guthrie as well as Irene Worth, Michael Bates and Alec Guinness for nought. Two mysterious donors solve that problem at the last minute and next we watch rehearsals for Richard III ahead of a sell out performance in this town of 30,000 people on July 13th 1953. The actual documentary itself delivers this story well here, with some good fly-on-the-wall observations of their logistical problems and of the actors preparing to stage this innovative version of a combative and lively play under canvas. The photographer manages to get himself into some wonderful vantage points as the play gets going, showing us just how seriously and professionally this cast took their task. Well worth a look.
It was a family secret, hidden for decades - until now. With the help of commercial DNA bases, SVT's US correspondent Carina Bergfeldt sets out in search of her secret half-brother, who according to a rumour exists. The hunt came to affect her whole life.
A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...
This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.
Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.
The camera slowly pans through a room as Smolders offers various observations and memories.
The Text Allows No Interpretation is a personal essay documentary displaying the director’s conversation with his trauma in a stream of consciousness. The moments in photographs and videos are set in temporal disarray, meeting the superimposed phone calls speaking to and around the trauma from the past. The ever-present noise of repetition is created through jumps between memories of fear and death during the decade-old Arab Spring to insomnia and anxiety emerging through the footage of NATO military exercises on the borders of Russia.
