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The Vanished Elephant - (Feb 7th)
This Old House - (Feb 7th)
The Rachel Maddow Show - (Feb 7th)
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Impractical Jokers - (Feb 7th)
The Last Word with Lawrence ODonnell - (Feb 7th)
Shoresy - (Feb 7th)
NFL Icons - (Feb 7th)
Dexter- Original Sin - (Feb 7th)
Georgie and Mandys First Marriage - (Feb 7th)
Ghosts - (Feb 7th)
The ReidOut with Joy Reid - (Feb 7th)
Jen and Chris - (Feb 7th)
Matlock - (Feb 7th)
The Traitors - (Feb 7th)
Quantum Leap - (Feb 7th)
Bargain-Loving Brits in the Sun - (Feb 7th)
The Young and the Restless - (Feb 6th)
Gutfeld - (Feb 6th)
Americas Newsroom - (Feb 6th)
The Laramie Redemption. Arrow in the Dust is directed by Lesley Selander and adapted to screenplay by Don Martin from the L. L. Foreman novel. It stars Sterling Hayden, Coleen Gray, Keith Larson, Tom Tully and Tudour Owen. Music is by Marlin Skiles and Technicolor cinematography by Ells W. Carter. Bart Laish (Hayden) is an army deserter, a gambler and a killer, but soon he is going to get a shot at redemption... It's all very formulaic in plotting, yet there's some thought gone into the screenplay, whilst Selander wastes no chances to keep things brisk by inserting another finely constructed action sequence. Laish (a typically robust Hayden) finds himself in command of a wagon train, with soldiers and civilians, all now looking to him to stave off the wave after wave of Indian attacks, which interestingly sees the Pawnee and the Apache teaming up. Naturally there's trouble in the camp, not only via some suspicious business men whose motives will reveal a key narrative thrust, but also by way of Gray's Christella Burke. She wanders in from some Estée Lauder advertisement (we don't care, we love 50s Westerns!), and pulses quicken for protagonist and viewers alike. Thematically the narrative is honourable, with decent amounts of angst and tortured heroics. There's some nifty war tactics, plenty of splendid gun play, and of course there's a human redemptive beat pulsing away - just begging to be found? There's the usual "B" Western issues, such as weakly choreographed fighting between man versus man, dummies being flung over cliffs, and some average acting in support slots (not Lee Van Cleef, though, who is pottering around with menace). However, the Burro Flats location filming is beautifully photographed - in sync with Skiles' genre compliant score, while Hayden does enjoyable stern backed machismo, which plays off of Gray's sensuality perfectly, and Tully does grizzle to actually provide the film's best performance. One for fans of this era of Western genre film making. Not a waste of time. Good show. 6.5/10
In this short, a youthful Buffalo Bill Cody joins the newly-formed Pony Express as a station hand and replaces the regular rider when he is shot.
Jim Harvey is hired to guard a small wagon train as it makes its way west. The train is attacked by Indians and Harvey, hoping to persuade Aguila, the chief, to call off the attack due to Harvey's having saved his son's life, leaves the train to negotiate. He is captured and the rest of the train is wiped out except for two sisters. Escaping and showing up in town later, Harvey is nearly hanged as a deserter, but gets away. Eventually caught by the sheriff and his posse, they are attacked by Indians. This time the Indians are defeated and Aguila, captured and dying, reveals the identity of the white man who engineered the initial attack on the wagon train, just as the perpetrator rides up behind them.
Not having heard that war has erupted between the U.S. and Mexico, a wagon train heads west, only to find itself threatened by the Mexicans who have teamed up with hostile Indians.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
Nineteen year old pioneer woman Marty has recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Widower Clark offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.
Sent by the Army, Andy Thomas poses as a renegade to find out who has been harassing the wagon trains.
A wagon train heads for Denver with a cargo of whisky for the miners. Chaos ensues as the Temperance League, the US cavalry, the miners and the local Indians all try to take control of the valuable cargo.
On the way to pick up the bounty on a wanted murderer, a bounty hunter stops at a staging post where he is forced to continue his journey with two outlaws who want the murderer for their own reasons and a recently-widowed woman, with the murderer's brother and his men in hot pursuit.
Buck Roberts is leading a wagon train of railroad supplies and Jim Corkle and his henchman Loder are out to stop them by using white men dressed as Indians for the attacks.