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The Rachel Maddow Show - (Mar 28th)
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It's always staggering to me that _Bottle Rocket_ is almost universally considered one of Wes Anderson's worst movies. Seeing the sub-70% rating on this website nearly broke my heart. And since there were no reviews of the film, I decided it was my duty as a _Bottle Rocket_ stan to make a feeble attempt at evangelizing on its behalf. People complain about how twee and pretentious Anderson's movies come across. Yet, somehow, as one of his movies that largely sidesteps those pitfalls, Bottle Rocket usually gets shit on the most. Part of the "problem" is that there's a subtlety to the humor and the storytelling that is unmatched in Anderson's filmography. It's not as "mainstream quirky" as a _Moonrise Kingdom_, nor does it have the flashiness (relatively speaking) of a _Rushmore_ or a _Life Aquatic_. It's much more than that -- to me, at least. It's a very low-stakes film, something which I always appreciate in my fiction. It's just a bunch of morons who want to be criminals. Why? Because they're morons and they have names like Dignan and Applejack and it's funny. You want a compelling plot, go watch _The Royal Tenenbaums_. You want to laugh at Owen Wilson dressing up in a banana-colored jumpsuit and riding around on a tiny motorcycle, _Bottle Rocket_'s ya boy. Luke Wilson's Anthony is, ostensibly, the star of this film. His struggle with his vague mental illness really resonates with me because I, too, am nuts. Owen Wilson is the main attraction here, though. He brings a sort of low-key freneticism to Dignan that always makes me smile. Look at that little guy go. I honestly don't think Wes Anderson has ever written a better character, though I know that I'm, inexplicably, the only person in the world who thinks that. I don't know what I can say to make people like this movie more. It's good! It's fun and cute and sweet! It's very Wes Anderson without being too Wes Anderson. You know? I would think more people would appreciate that. If this were made today, Timothee Chalamet would undoubtedly be cast as one of the two leads, so let's be glad it lives forever encased in 1996 carbonite.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.
Germany director Dani Levy filmed this comedy about Jewish life in today’s Germany along side the familiar east-west conflict. With it great success this film is a joyful comedy of humor and knowledge.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors - veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie - unravel.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.