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The Sunday Show with Jonathan Capehart - (Mar 3rd)
Prosecuting Evil with Kelly Siegler - (Mar 2nd)
Love Your Weekend with Alan Titchmarsh - (Mar 2nd)
Call the Midwife - (Mar 2nd)
The Great Pottery Throw Down - (Mar 2nd)
Screwballs - (Mar 2nd)
Dancing on Ice - (Mar 2nd)
Saturday Kitchen Live - (Mar 2nd)
Saturday Kitchen Best Bites - (Mar 2nd)
The Only Way Is Essex - (Mar 2nd)
Lidias Kitchen - (Mar 2nd)
48 Hours To Buy - (Mar 2nd)
Alex Witt Reports - (Mar 2nd)
48 Hours - (Mar 2nd)
Inside with Jen Psaki - (Mar 2nd)
The Tommy Tiernan Show - (Mar 2nd)
SkyMed - (Mar 2nd)
Forensics- The Real CSI - (Mar 2nd)
The Kelly Clarkson Show - (Mar 2nd)
The Late Late Show - (Mar 2nd)
Does it deserve 10 stars? No, but I look at this as a thumbs up or thumbs down thing, and it's getting thumbs up, sooo...disclaimer there. I really liked this and I accept that I am in the minority. It has the Terry Gilliam comedic feel to it and it has the Terry Gilliam acid trip feel to it... and even at it's worst that is still absolutely entertaining and a pure joy to watch. Someone mentioned wide angle work before and, yes, it has a lot of that wide angle close-up work that can only really be appreciated by people that thought they could out Thompson Hunter Thompson in their youth... wink wink nudge nudge, if you know what I mean. The only real draw back is that Damon doesn't seem to fit in his role, and he doesn't really seem to fit in a Gilliam film...but surprisingly Ledger seems perfectly at home in that kind of world and you get the sense that he enjoyed acting the part as much as you are enjoying watching him act the part. And then here and there you get a joke, a sight gag, a little hint that reminds you that, yeah, Gilliam was in Python wasn't he? That's something that you'd see in the Flying Circus shoved in there. Almost to the point where you can't but stop and wonder if he was channeling Idle or Chapman for some of the dialogue and physical humor. It's a Gilliam film, made for adults, with Warner Brothers Cartoon violence. It's trippy and fun and it might not be your cup of tea, but I loved it.
Well it is a Terry Gilliam film so was always going to be a bit eccentric - but the idea that the legendary Brothers Grimm were actually grifters was actually quite an fun one. Assemble a couple of A-listers and we should have been flying. Except, well - we are not. Instead of having some amiable horseplay as they fleece the gullible and the unwitting, we find "Jake" (Heath Legder) and "Will" (Matt Damon) in a village where the children have all gone missing. The local grandee "Gen. Delatombe" (Jonathan Pryce) is on to their scamming and decides it's time to get them to prove their worth. Where are the sprogs? Well to save their necks, the not so dynamic duo have to deal with a seriously malevolent and fantastic foe in the "Mirror Queen" (the sparingly used Monica Bellucci) who wants to take over the world kind of thing. What now ensues are a series of typical Gilliam-esque escapades using a mediaeval backdrop to facilitate the borderline slapstick antics of the siblings trying to save their bacon. At times it is quite amusing offering some enjoyable parodies of established fairy tales, and the script does deliver a few entertaining quips as we go along but it seems unsure just who it's for. There's some darkness and good, old-fashioned, evil - but not enough of that. It's as if it was trying to be scary but hadn't quite the courage (to settle for a higher age rating, maybe?). As it is, it falls between two stools leaving us with an undercooked and overlong, slightly repetitious, series of frying pan to fire scenarios that even the engaging Ledger can't spin out for two hours. Damon doesn't really add much and Pryce is just in uniformed ham mode through his brief appearances. If you know the works of the brothers, it will make much more sense and some of it's observations about superstitions and the society in which the peasantry and gentry lived are quite witty, but they are all to often lost in a sea of mediocrity.
Firemen brothers Brian and Stephen McCaffrey battle each other over past slights while trying to stop an arsonist with a diabolical agenda from torching Chicago.
A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. In order to protect her son she will have to reveal a dark secret, and unleash the inner monster she has fought to hide.
During the War of 1812 against Britain: General Andrew Jackson has only 1,200 men left to defend New Orleans when he learns that a British fleet will arrive with 60 ships and 16,000 men to take the city. In this situation an island near the city becomes strategically important to both parties, but it's inhabited by the last big buccaneer: Jean Lafitte. Although Lafitte never attacks American ships, the governor hates him for selling merchandise without taxes - and is loved by the citizens for the same reason. When the big fight gets nearer, Lafitte is drawn between the fronts. His heart belongs to America, but his people urge him to join the party that's more likely to win.
The tale of two brothers with serious financial woes. When a third party proposes they turn to crime, things go bad and the two become enemies.
Between a whimsical wife, two insolent girls, a son who is engaged in strange chemical experiments and a mother-in-law who is being courted by a rich English lord, André Costais, an intractable industrialist, is struggling to impose his authority on his family.
Born under unusual circumstances, Benjamin Button springs into being as an elderly man in a New Orleans nursing home and ages in reverse. Twelve years after his birth, he meets Daisy, a child who flits in and out of his life as she grows up to be a dancer. Though he has all sorts of unusual adventures over the course of his life, it is his relationship with Daisy, and the hope that they will come together at the right time, that drives Benjamin forward.
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
When sisters Jana and Anna meet their half-brother at their father's funeral, the siblings' lives entwine as they navigate relationships and setbacks.
Klaus lives with his two brothers Kunz and Franz in a little village. Together, they ply their trade as cobblers in a small workshop. But the workload rests mainly on the shoulders of ill-treated Klaus. When Kunz and Franz go off into the forest to chop wood for fuel they run into an old woman who asks them for some wine and bread. Rudely and gruffly, they refuse her request and return home without any wood. Klaus then has to set out and he meets the old woman as well. He gladly offers her his frugal meal which is suddenly turned into pancakes and good wine. In addition, he receives a golden goose for his kindness. The bird possesses a an unusual characteristic: all those who are prying, nosy, envious and rapacious get stuck to it and become glued to one another.