NASCAR: The IMAX Experience

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A day in the life of a train station.

Time Stood Still is a 1956 Warner Brothers Scope Gem travelogue, filmed the previous year in Dinkelsbühl, and presented in the wide-screen format of CinemaScope, directed by André de la Varre. It was nominated for an Academy Award for Best Live Action Short Film at the 29th Academy Awards.

A film about the expansion of the Central Line beyond Stratford.

This short is one of Paramount's "Popular Science" series (number L6-5, or the fifth one of the 1946-47 production season) and begins by showing moon rockets, weighing 30 tons, a flight in the ionosphere, with mounted color cameras recording pictures hundreds of miles above the earth. Coming back to earth, it discourses on modern bathroom fixtures, and then demonstrates a one-man hay-bailer.

This bicycle-safety film shows children what can happen when bicycles are driven carelessly and recklessly.

Raising angora rabbits for wool; new marine navigation and safety technology; kitchen gadgets; developing new rose varieties.

City of Wax is a 1934 American short documentary film produced by Horace and Stacy Woodard about the life of a bee. It won the Oscar at the 7th Academy Awards in 1935 for Best Short Subject (Novelty). Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2007.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.

A commissioned film for Schweizerischer Werkbund (SWB), Die neue Wohnung was produced for the Basel architectural and interior design exhibition, WOBA, to demonstrate innovative aspects of modern architecture and highlight their differences from the event’s highly conservative approach. Despite its ad campaign roots, Richter's touch is not absent; The surviving version, aimed at a "bourgeois" Swiss public, presents decluttered, functional architecture and decor as superior to the traditional and luxurious "ancient" ways of living.