Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
Babygirl 2024 - Movies (Jan 28th)
Moana 2 2024 - Movies (Jan 27th)
Overkill 2024 - Movies (Jan 27th)
Mother Maker Lover Taker 2024 - Movies (Jan 27th)
Weekend in Taipei 2024 - Movies (Jan 27th)
September 5 2024 - Movies (Jan 26th)
Mummy Shark 2024 - Movies (Jan 26th)
Manhunt - (Jan 28th)
The Bold and the Beautiful - (Jan 28th)
The Young and the Restless - (Jan 28th)
The Price Is Right - (Jan 28th)
FBI- International - (Jan 28th)
Come Dine with Me - (Jan 28th)
Chris Jansing Reports - (Jan 28th)
The Bidding Room - (Jan 28th)
Katy Tur Reports - (Jan 28th)
Dogs Behaving (Very) Badly - (Jan 28th)
Murder Trial - (Jan 28th)
Inside the Factory - (Jan 28th)
Worlds Most Evil Killers - (Jan 28th)
Piers Morgan Uncensored - (Jan 28th)
Betting on Paradise - (Jan 28th)
Andrea Mitchell Reports - (Jan 28th)
Escape to the Country - (Jan 28th)
Lets Make a Deal - (Jan 28th)
The Chase Australia - (Jan 28th)
Fist of the North Star - (Jan 28th)
After 40 years, Tom Cruise continues to push the envelope in film. Exposing one's heart to the world through their work is not only risky business, as far as Cruise is concerned, it is the only way to achieve an end that feels complete.
An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
A documentary pilgrimage to the annual James Dean Festival in Fairmount, IN as seen through the eyes of the cultural icon's die-hard fans, affectionately known as 'Deaners'.
On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.
The history of the Yakuza Eiga at the TOEI studio is roughly outlined. Real Yakuza and also their connections to the movie business are discussed, and many important actors and directors of the genres are interviewed. Former real yakuza boss turned actor Noboru Ando, Takashi Miike, Sonny Chiba and many more get a chance to speak.
An aspiring actress responds to a mysterious classified ad and finds herself trapped in her new boss's twisted revenge fantasy.
Marilyn Monroe is easily the most iconic woman of 20th Century Hollywood. Born Norma Jeane Mortenson and raised in Los Angeles, Marilyn reached the height of fame in Hollywood, leaving behind the troubled world that Norma Jeane had once lived in. Her undeniable sex appeal and star quality still has as much influence today as it did then, and her image can still be seen in major cities around the world. Marilyn created a legacy that continues decades after her tragic death, and has a history of iconic moments that will keep her at the forefront of Hollywood forever.
Young woman tells a story about her relationships with one nice guy and some others, not so good partners.
The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.