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RELEASED IN 1987 and directed by Steve Rash, “Can’t Buy Me Love” is a high school dramedy about a geek at an Arizona high school (Patrick Dempsey) who pays the most popular girl in school (Amanda Peterson) $1000 to act like she likes him for a month so he can move up the social strata. Of course, this creates unforeseen problems. Courtney Gains plays his geek friend and Seth Green his little brother. This is better than some 80’s teen flicks (e.g. Molly Ringwald’s movies), but not as good as others (“Fast Times at Ridgemont High”). It’s arguably on par with “Just One of the Guys” and “Some Kind of Wonderful.” Unlike those films, however, it has a semi-campy vibe wherein the cast members often exaggerate their lines in an artificial way, which telegraphs that what’s happening isn’t real. If you can roll with this odd element, there’s a lot of good in “Can’t Buy Me Love” and the ending is genuinely moving. There are many serious/realistic scenes, like the notable airplane graveyard sequence. The two protagonists have good chemistry and their relationship arc is convincing. Tina Caspary (Barbara) and Darcy DeMoss (Patty) are serviceable on the fringe female front. THE FILM RUNS 1 hours & 34 minutes and was shot in Tucson, Arizona. WRITER: Michael Swerdlick. GRADE: B/B- (6.5/10)
Whatever happens to your popularity, stay yourself, don't change to please others. Can't Buy Me Love is directed by Steve Rash and written by Michael Swerdlick. It stars Patrick Dempsey and Amanda Peterson. Music is by Robert Folk and cinematography by Peter Lyons Collister. Plot has Dempsey as nerdy outcast Ronald Miller, who fed up of not being popular pays Cindy Mancini (Peterson), the most popular girl in school, one thousand dollars to be his girlfriend. The 1980s was awash with films of this ilk, the teen dramedy topped up by a big hearted message and a finale of punch the air worth. What it all comes down to is if the film can hold its head above water, not become too twee, and crucially have you smiling come the finale. As evidenced by its popularity among 80s cineastes of a certain age, Can't Buy Me Love delivers all that you expect from such fare. The core theme is of course self acceptance, the attainment of such in amongst the scary world of teenage school years. This shines bright in spite of some rather unconvincing dialogue and contrived corny moments. Director Rash just about holds it together, ensuring that the charm of the lead actors holds weight for character engagement, even though for thematic depth the screenplay only skims over the surface. The teenage dramedy would evolve considerably once the 80s was left behind, becoming more biting, daring and observational. Yet for those who lived and loved this type of film in the 80s, there's a lovely nostalgic glow to be gleaned from revisits to the likes of Can't Buy Me Love. Nothing wrong with that. 6.5/10
Young Kid has been invited to a party at his friend Play's house. But after a fight at school, Kid's father grounds him. None the less, Kid sneaks out when his father falls asleep. But Kid doesn't know that three of the thugs at school have decided to give him a lesson in behavior.
With the help of their high school's newest teacher, four Hispanic students form a robotics club. Although they have no experience, the youths set their sights on a national robotics contest. With $800 and parts scavenged from old cars, they build a robot and compete against reigning champion MIT. Along the way, the students learn not only how to build a robot but something far more important: how to forge bonds that will last a lifetime.
When Vincent finds himself a victim of outing in his high school, he must accept to live with the drastic changes it provokes, and redefine his relationships with his friends and family.
17-year-old Sara leads a sheltered existence with her family, members of Jehovah’s Witnesses, when she meets the outsider Teis and falls in love. Sara, herself a believer, now faces an important turning point in her life as she is forced to choose between religion and love.
Set in the early 1960s, the story revolves around high school sweethearts Jonas and Agnete, their friendships and families, trials and tribulations.
A teenage boy and his mother are on the run. The father is violent and has a history of beating up his wife. They manage to get away from him and drive far away, until they arrive in a small town where they settle down. They rent a house from a nice man and soon they forget everything that has happened in the past, until the boy begins to have bad dreams of his father.
Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn's other good friend is Mulle, a cheerful and more childish working-class boy. All three seem friends at first, but gradually Steen starts pushing Mulle away while pulling the impressionable Bjørn with him towards more and more violence.
A militant performance-artist and a tall Korean foreign-exchange student become trapped in a small Southern town.
A teenage girl and her boyfriend struggle with their love for one another, until an encounter with the girl's abusive father leads to the young couple to question the existence of goodness in life.