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RELEASED IN 1987 and directed by Steve Rash, “Can’t Buy Me Love” is a high school dramedy about a geek at an Arizona high school (Patrick Dempsey) who pays the most popular girl in school (Amanda Peterson) $1000 to act like she likes him for a month so he can move up the social strata. Of course, this creates unforeseen problems. Courtney Gains plays his geek friend and Seth Green his little brother. This is better than some 80’s teen flicks (e.g. Molly Ringwald’s movies), but not as good as others (“Fast Times at Ridgemont High”). It’s arguably on par with “Just One of the Guys” and “Some Kind of Wonderful.” Unlike those films, however, it has a semi-campy vibe wherein the cast members often exaggerate their lines in an artificial way, which telegraphs that what’s happening isn’t real. If you can roll with this odd element, there’s a lot of good in “Can’t Buy Me Love” and the ending is genuinely moving. There are many serious/realistic scenes, like the notable airplane graveyard sequence. The two protagonists have good chemistry and their relationship arc is convincing. Tina Caspary (Barbara) and Darcy DeMoss (Patty) are serviceable on the fringe female front. THE FILM RUNS 1 hours & 34 minutes and was shot in Tucson, Arizona. WRITER: Michael Swerdlick. GRADE: B/B- (6.5/10)
Whatever happens to your popularity, stay yourself, don't change to please others. Can't Buy Me Love is directed by Steve Rash and written by Michael Swerdlick. It stars Patrick Dempsey and Amanda Peterson. Music is by Robert Folk and cinematography by Peter Lyons Collister. Plot has Dempsey as nerdy outcast Ronald Miller, who fed up of not being popular pays Cindy Mancini (Peterson), the most popular girl in school, one thousand dollars to be his girlfriend. The 1980s was awash with films of this ilk, the teen dramedy topped up by a big hearted message and a finale of punch the air worth. What it all comes down to is if the film can hold its head above water, not become too twee, and crucially have you smiling come the finale. As evidenced by its popularity among 80s cineastes of a certain age, Can't Buy Me Love delivers all that you expect from such fare. The core theme is of course self acceptance, the attainment of such in amongst the scary world of teenage school years. This shines bright in spite of some rather unconvincing dialogue and contrived corny moments. Director Rash just about holds it together, ensuring that the charm of the lead actors holds weight for character engagement, even though for thematic depth the screenplay only skims over the surface. The teenage dramedy would evolve considerably once the 80s was left behind, becoming more biting, daring and observational. Yet for those who lived and loved this type of film in the 80s, there's a lovely nostalgic glow to be gleaned from revisits to the likes of Can't Buy Me Love. Nothing wrong with that. 6.5/10
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
Two couples. Difficulties. In appearance, everything is fine. Partners are appreciated and respected. In privacy, the problems are revealed. Love and sexuality are not in harmony.
In a post-apocalyptic future where population control is dictated by a high-school aptitude test, two students discover the test is smoke and mirrors hiding a larger conspiracy.
Against the stunning backdrops of the Dominican Republic, "El Trayecto" unfolds as a poignant coming-of-age comedy, showcasing the trans-formative power of friendship against the picturesque landscapes of Samaná. Yasser, Camila, Karina, and Richarson, each with their unique personalities, set out on what initially seems like a straightforward trek between two beaches. As they navigate the visually captivating yet physically demanding terrain, the expedition evolves into a crucible for personal growth and self-discovery. The dichotomy between Yasser's immaturity and Richarson's uptight demeanor provides not only moments of humor but also valuable insights. Camila, the grounded force, and Karina, the free spirit, contribute to the group dynamic, creating a tapestry of diverse personalities.