વીર માંગડાવાળો

In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.

A Serbian émigré in Manhattan believes that, because of an ancient curse, any physical intimacy with the man she loves will turn her into a feline predator.

A group of teenagers go out to a den in the woods for a night of drinking, unaware that their behaviour touches on issues of ritual, folklore, mysticism and UFOs.

In 1890s India, an arrogant British commander challenges the harshly taxed residents of Champaner to a high-stakes cricket match.

The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.

In this highly theatrical TV production, Monteiro again draws on the world of folklore – and, more precisely, on the widespread sexual connotation of the pomegranate – to tell a tale of love, envy, treason and mistaken/double identities.

Fear and superstition take hold of a young family during a time of great hunger in 1879 Ireland.

It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend in the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son.

The Mother is one of Monteiro’s first essays on the universe of Portuguese oral culture, folktales and obscure colloquialisms. The plot revolves around a traditional tale about theft, greed, an ubiquitous mother, and the links between the worlds of the living and the dead.