Christiaan Hesen

Lili has left everything behind to travel to the edge of the earth and accomplish her dream, fishing the Northern seas. She persuades Ian, the captain of a trawler by the name of Rebel, to give her a chance and let her join the crew. The only woman on board, they call her Sparrow. Hidden behind a frail appearance is a will of steel, and her courage and determination ultimately win over their respect. Adopted into this world of often unfortunate individuals, Lili will conquer her right to live differently, free.

A folklore professor becomes unwittingly possessed by the ancient Japanese demons of Thunder and Lightning. But when The Bureau of Paranormal Research & Defense dispatches a team of agents to investigate, a cursed samurai sword sends Hellboy to a supernatural dimension of ghosts, monsters, and feudal mayhem. Now while pyrokinetic Liz Sherman and fishboy Abe Sapien battle one very pissed-off dragon, a lost and cranky Hellboy must find his way home.

Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.

While mourning the loss of a parent, Mehru occasionally brings fake flowers to her old house. But she is compelled to deal with a tragic past when she is invited inside the house by her brother, Mir.

The Black Madonna is a 2007 action comedy film written by Nikolaj Peyk and Lasse Spang Olsen and directed by Lasse Spang Olsen.

A liberal activist lawyer alienated his daughter Maggie years ago when she discovered his many affairs. Now a conservative corporate lawyer, Maggie agrees to go up against her father in court. To gain promotion, she must defend an auto manufacturer against charges that their explosion-prone station wagons are unsafe. As her mother begs for peace, Maggie takes on her dad in a trial that turns increasingly personal and nasty.

The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.

A soldier returning from war is hired by her own father to drive his prostitutes around town. She calls upon herself to help one of them.

A movie that provokes reflection on the nature of reality and the veracity of our relationships and experiences. On questions of what is real and what is merely an illusion, the magic of the film's journey through different levels of consciousness, full of mysterious corners and strange memories, is revealed. The borders between dream and reality blur, creating an extraordinary story about feelings and the condition of human existence.

Salome gets a summer job in a junkyard somewhere in the country side. Under a western sun, in this place out of the world, her teenage rebellion springs up. From unexpected encounters to shared sorrows, arise promises of a new life.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.