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_**Bringing in the sheaves stuck between a demon and an angel**_ During the Long Depression of the 1870-80s in Blackmore Vale, southern England, a peasant family discovers that they are nobility and thus their oldest daughter, an extraordinarily beautiful woman (Nastassja Kinski), is sent to meet the well-to-do family. She is eventually pitted between the interest of two very different men (Leigh Lawson and Peter Firth). Roman Polanski's "Tess" (1979) is based on Thomas Hardy's 1891 novel "Tess of the d'Urbervilles." Polanski was inspired to make the film because his late wife, Sharon Tate, gave him the book suggesting it would make a great film and she was interested in playing the title role. Unfortunately, it turned out to be the last time Roman saw his pregnant wife alive as she was heading back to the USA while he stayed in Europe to complete a picture. She was murdered by the Manson psychos on August 9th, 1969. This movie is dedicated to her during the opening credits. The two male characters are basically two sides of the same bad coin: one is amoral while the other is excessively moral. There is a scene in the book where Alec shows up to talk to the workers at harvest time wearing a cape with an upturned collar and carrying a pitchfork. The symbolism is obvious. Meanwhile Angel's figurative character is plain from his name. What's the point? Just as it's possible to be excessively bad, a person can be too good. The bible makes this observation in Ecclesiastes 7:16-18. They are two extremes and both have the power to destroy the lives of those they influence. To be expected, Angel eventually seeks to make things right whereas Alec arrogantly continues in his nonchalant amorality, which ultimately ushers in doom. The immutability of this is symbolized by Stonehenge. While a lot of people eventually swing to one extreme perspective/lifestyle or another, e.g. moralist, hedonist, atheist, most people are caught somewhere in the middle, uncertain and searching, like Tess. To enjoy this piece you have to brace yourself for a movie that has the confidence to take its time and tell its tale. You'll discover Victorian curiosities, pastoral mundaneness, beauty, lust, love, idiocy, humility, penitence, arrogance and tragedy. The film runs 3 hours, 6 minutes, with the original theatrical version running 2 minutes less and the DVD 2 hours, 52 minutes. It was shot entirely in France. GRADE: A-/B+
Anika tries to win her husband Arman's love, but he still can't let go of his late wife, Leila. Can she compete with someone who's no longer alive?
A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
Whether for neurotypical or autistic people, love doesn't have a unique way of expressing itself. There is no typical love. Relationships and romantic love are challenging for everyone. For autistics, then, the matter can gain other layers of complexity. Or is it not? Marcos Maia and Sophia Mendonça mediate this dialogue, with great guests.
In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
Johan and his family are Mennonites from the north of Mexico. Against the law of God and Man, Johan falls in love with another woman.
The true story of Elle France editor Jean-Dominique Bauby, who, in 1995 at the age of 43, suffered a stroke that paralyzed his entire body, except his left eye. Using that eye to blink out his memoir, Bauby eloquently described the aspects of his interior world, from the psychological torment of being trapped inside his body to his imagined stories from lands he'd only visited in his mind.
Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.