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_**The ultimate outcast**_ In 1884 London, a doctor (Anthony Hopkins) meets Joseph Merrick, aka The Elephant Man (wrongly called John Merrick in the film) who was being exploited as a freak show attraction. Treves (Hopkins) tries to help Merrick (John Hurt) for the last six years of the latter’s life wherein he becomes cultured, but he inevitably remains an object of curiosity, to high society as well as low society. Anne Bancroft plays a winsome entertainer who is warm toward Merrick. Directed by David Lynch and shot in B&W, “The Elephant Man” (1980) is a melancholic biographical movie, and understandably so, but Merrick’s story is worth checking out despite the fact that it inspires pity. It calls into question the concept of beauty: Natural beauty is something one is born with and did nothing to acquire, but so is physical unattractiveness. Then there’s inner beauty. The charismatic actress (Bancroft) displays both. Of course there’s also inner ugliness, like the carnival huckster. A myth developed about Merrick’s disfigurement that his mother was raped by an elephant, probably started by sideshow hawkers. The opening conveys this in an artistic manner, but it’s not to be taken literally, which is why it’s surreal. Meanwhile the factory scenes with the pipes and corresponding dangers exhibit the reality for workers in Victorian times. The score by John Morris is noteworthy with one piece being ripped-off for the moving parts of “Platoon” (1986), e.g. Elias’ melodramatic death scene. The film runs 2 hours, 4 minutes, and was shot entirely in London and nearby Shepperton Studios, just west of the city. GRADE: B
Saw this, recently up-converted to 4K at the London Film Festival and, apart from the clear improvements to the quality and detail of the image, I was reminded of just how good it is. Anthony Hopkins and Anne Bancroft play their roles with engaging sincerity - very ably supported by Sir John Gielgud and Dame Wendy Hiller. Prosthetics aside, John Hurt captures both the despair and optimism of Merrick with empathetic style; and Freddie Jones is just downright evil as "Bytes". His son Toby was at the screening and I couldn't help but wonder when he watched this portrayal by his father whether the pride in the performance must have been tempered by a disgust in the character, itself!! This film doesn't seem to do the rounds very often, nowadays, but it holds up very well after almost 40 years and is really a gem.
Based on a true story, Yoshiko and Yuriko relates the journey and great love affair of Yoshiko, who was a renowned translator of Russian literature and drama, and Yuriko, who was a feminist novelist and great activist of the post-war democratic literature movement. Both have left huge marks on Japanese literary history. The two women shared a strong attraction to each other from their first meeting and enjoyed a powerful love affair. Yoshiko reveals that she's an out lesbian, whilst Yuriko is married (not altogether happily) to a well-known scholar - a situation she can't walk away from with ease.
Five real-life stories of Olympic athletes of Russia. Five stories which intertwined love, betrayal, friendship. Each of these victories worth hard work, respect and belief in yourself, in your family and to your country.
In 1863, when a legless, shipwrecked man washes up on the Acadian coast, he's taken to the home of Jean the Corsican, a burly and bitter former soldier, and his childless young wife, Julitte. The man, who is young, handsome, and well-dressed, remains mute as Julitte nurses him back to health. Jean, meanwhile, who is inexplicably estranged from Julitte and an outsider to townspeople, continues his hunt for pirate treasure, rumored to be hidden in a cave by the sea. The treasure is his ticket out of Acadia. As loneliness and Eros draw Julitte and the mysterious Jérôme together, something's got to give.
The life story of traditional Irish folk singer Joe Heaney, who is estimated to have recorded in excess of 500 traditional Irish sean nós ('old style') songs. Heaney moved from Ireland to the UK, and then on to New York City, where he settled shortly after performing at the Newport Folk Festival in 1965.
The aftermath of a shocking explosion at the Chernobyl nuclear power station made hundreds of people sacrifice their lives to clean up the site of the catastrophe and to successfully prevent an even bigger disaster that could have turned a large part of the European continent into an uninhabitable exclusion zone. This is their story.
A housemaid falls in love with Dr. Jekyll and his darkly mysterious counterpart, Mr. Hyde.
A sheltered Amish child is the sole witness of a brutal murder in a restroom at a Philadelphia train station, and he must be protected. The assignment falls to a taciturn detective who goes undercover in a Pennsylvania Dutch community. On the farm, he slowly assimilates despite his urban grit, and forges a romantic bond with the child's beautiful mother.
The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"
Stefan Luchian is a passionate painter who rebels against conservative art groups, determined to create a new form of art that celebrates beauty and nature's wonders, while racing against time to leave his artistic legacy before his illness overtakes him.
A three-part omnibus consisting of Kino Klub amateurs' work: Zivojin Pavlovic's dialogue-free "Live Waters" set in 1943, Marko Babac's "Warriors" about psychological look at the two patients in a hospital room, as well as Kokan Rakonjac's "Raindrops" about alcoholic's decaying relationship with his girlfriend.
Timi (23) has just been transferred to the Oncology department. She is a meticulous nurse who follows the rules and tries to do her job to the best of her ability. She meets Julia (78), who is in a serious condition on the ward. Timi tries to do everything she can to help Julia, but she no longer wants help, she just wants to end her suffering. Timi, seeing Julia's suffering, is faced with the choice of following the right path or the right way.
