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New Jack City is convoluted, contrived, and heavy-handed, ending with a caption warning us to “confront the [drug] problem realistically, without empty slogans and promises”. Well, the characters in the movie certainly eschew empty slogans in favor of some of the most memorable catchphrases ever committed to film (“Sit your five-dollar ass down before I make change,” “I want to shoot you so bad, my d*ck's hard,” etc., etc.), but it might be a bit of a stretch to say that they deal with the problem realistically – and it’s actually the little things, such as our old friend the Red Digital Readout, that cast doubt over the proceedings; conversely, the elephant in the room – i.e., the taking over and conversion into a huge crack house of an entire apartment complex – is based on fact (the hardest things to believe are sometimes the most veridical; compare the upside down-flying commercial airplane in Flight). The script is sometimes platitudinous, sometimes downright nonsensical, but always, as I hinted above, endlessly entertaining and quotable. Similarly, the plot and is underdeveloped but not shallow, and the film overall has its heart in the right place. This is a vibrant movie, but it's not just for people who like bright colors; NJC knows the importance of looking beyond appearances. A scene of revelatory intertextuality has the antagonists watching Scarface and reaching the conclusion that the only thing Tony Montana ever did wrong was getting “careless.” And yet, this eye-opening irony is inexplicably lost on rappers like Lil Wayne and Tyga (both of whom have referred to themselves as ‘Young Nino’; don't they remember or care that Nino Brown at one point literally uses a little girl as a human shield?), making them twice as dumb as the people who watch Scarface and leave with the impression that Tony Montana is a role model. All things considered, NJC is a rather uneven effort whose weaker moments get by on sheer style, reaching a noirish state where what is said and done takes a backseat to how it is said and how it is done – and in that sense Wesley Snipes’s star-making performance (and what should have been a breakthrough role for Chris Rock), supported by a rock-solid (as well as eclectic, ranging from Judd Nelson to Bill Cobbs, who even then was playing the Old Man) ensemble cast and Mario Van Peebles's confident direction, is the glue that holds the film together.
For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
Four young friends, while taking a shortcut en route to a local boxing match, witness a brutal murder which leaves them running for their lives.
Johnny Quinlan is so desperate for a job that he takes a gig as a "bag man" for the mob. Meanwhile, his beleaguered wife has to deal with her bizarre, unemployed, wise-cracking brother and various neighbors while keeping house in their Brooklyn tenement.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Itti a former police officer is a master of the dark magic. Imprisoned, he succeeds to vanish from his cell. The police, leaded by Santi, is tracking to get him back, but confronts supernatural events. Santi wishes to capture dark art master no matter what it takes, even if he must become a necromancer himself..
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
A story about the rise of awareness among the youth against the pollution and eco-system disaster. The conflict between the youth and ruling establishment is also taken under the inspection. The daughter of the prime minister and her relation to the son of another minister of opposing party is especially under surveillance.
