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Unlike others, I would say it was a nice movie from Ridley Scott. Certainly not a masterpiece, but I truly enjoyed it. For his capability this movie was a below par, that's what everyone meant. As for the theme of the story, it was a phenomenal, but the screenplay is what failed very badly. To me, some of the scenes in the movie were impressive, enough to stick around the end. As has been a gangster related subject, Midas touch lacks and surprises how a great director make it slip away. Handling a tough situation, following the instinct and the facing outcome of the final result is what the movie to say in a one liner. Obviously, roles were perfectly distributed to the respective cast by the filmmakers and they had given their best as well. So no blame game for the movie's fall in that matter. In my perception it was the dull moments in the movie that acquire more than the best parts. When it was overhauled to build the story and develop characters, never showed signs of recovery. As I am a movie maniac, after seeing a movie, I always think of a sequel to follow only if it was a good one, or I pray for no sequel if it was terrible. I thought the same about this movie as well, after seeing the way it ended. I am now curious what if a sequel makes the way and impacts better than this. Because in the history, so many sequels had excelled than the previous movies. Whatever, I respect this film, not because of the director or actors, but like everyone says it should have been little better in a few areas, that's all. A movie fanatic sees the effort and appreciate it even it was not that good, but a critic sees only flaws and criticise as usual. 6/10
Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
While a diamond advocate attempts to steal a collection of diamonds, troubles arise when he realises he’s not the only one after the collection.
Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
There is no question that the Arab terrorist portrayed by Robert Davi is guilty of killing five US citizens in Barcelona. Even his lawyers have zero respect for the rabidly sociopathic Davi. But Jewish defence attorney Ron Leibman is obsessed with the concept of Due Process, and has vowed that Davi will receive a scrupulously fair trial when the terrorist is extradited to America. The defence mounted by Leibman confounds and aggravates government prosecutor Sam Waterston-but he, like Leibman, remains a man of judiciary integrity.
At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.