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Georges Méliès does it again in the same fashion as Le Manoir du Diable. Albeit shorter than his prior voyage into horror film. This is at least a different story. Instead of this being a period piece, it appears to be a modern one. The film shows George Melies, himself, having One Terrible Night with a creepy, crawly, spider. The film is one of dozens of shorts released during the era that focused more on drawing crowds biased on technology rather than the plot of a film. It is still going to be a few years before Horror is fully shaped and functioning. If you are curious to see what film looked like in the 1800's then check out below where I have included the short.
This one is kind of goofy, and I like the special effect used for the bug, but quite honestly the reactions after the bug doesn't make sense, even for a "one of the first ever films" vibe. He starts swinging at other bugs after the first huge one dies, but you see nothing during the time. It might be because of quality, but it seems unnecessary. It's very interesting to review this film, however, considering it's still part of the horror genre, as it shows how deeply instilled comedy can be in horror even from the very beginning of the film genre. Camp too! It can be classified as a campy film, and I honestly believe camp and horror go hand in hand.
Chloe, a straight talking film director, tries to convince her friend Sam to be an actor in her next short film. Just after finding out that he once again didn’t get into medical school, Sam meets Alex, a hypochondriac 18 year old. A love triangle forms in these self-reflexive, humoristic fragments filled with sex talk , set in New Orleans.
Two British girls in a classic brightly colored 'Mini Cooper S' car are being chased across Europe by a not so sinister organization who are after a colour 35mm roll of film that's been hidden beneath one of the Minis spot lamp covers.
Starring Mike Brayden, Yvette Angulo and directed by Ryan Casselman. Birthdays can be tough. Often a reminder that our lives are moving at rapid speed, and while you may have aged a year older over night, you realize that not a whole lot else has changed. That is certainly the case with Jeff, a greeting card creative who has the 'birthday blues' and struggles to find someone to share his birthday with.
Trapped inside the Space Freighter/Refinery Dédalo, Siena tries to survive an infestation of diabolic creatures.
An ironic comedy to the sports world about the corrupt gears of football. As goalkeeper, figure a dwarf...
Embark on a haunting journey with 'Threads,' a Claymation body horror directed by NOFAC3. After an exhausting day of stitching, Siouxzie falls asleep only to awaken to a horrifying reality—a parasite has invaded her body, multiplying and wriggling under her skin. In a desperate attempt to regain control of her own body, she resorts to a shockingly macabre solution – one that would forever redefine the delicate fabric of her existence.
“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.
Where Hazel Met the Villain is a 1914 movie starring Roscoe Arbuckle and Phyllis Allen.
Dylan's nightmares are becoming more real. He's got to get away or he might not wake up. Jenny is all he lives for and he'll do anything for them to escape. In an isolated part of Wales, Dylan leads a humble life working the family farm. His only company is his father with whom he shares a fractious relationship. He's started making some extra money through some local low level drug dealers and plans to use the money to start his new dream life, away from the farm, his dad, and his visions of death.