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Return to Las Sabinas - (Nov 16th)
Dédalo is a schi-fi horror short out of Portugal. It leans pretty heavily on alien horror, which is something I tend to enjoy. The set, props, and lighting are well done, especially for a short, which adds a ton to the enjoyability of the film. Some of the gore and the alien suit itself are a little lacking, but it's not so bad that it completely breaks the tension. The main character's acting is fine, and the emotions on her face really sell the story. The movements of the alien, on the other hand? Well, they're pretty cheesy. With a tension-filled short like this, the slightest bit of cheese basically erases the tension, which means the alien's movements, especially immediately after the climax, drain the entire short of it's sticking power, rendering the ending fairly neutral instead of the emotions the director is attempting to get across. That being said, most of the execution and the idea itself of a man-eating yet still man-like alien hunting the only remaining crew member of a space ship are both solid, and if you've got ten minutes, you could certainly do worse than Dédalo.
A group of students from the Cosmo Academy are about to take their final exam: surviving for over fifty days in a derelict ship. But when they arrive, they discover that instead of ten students, there are eleven. One of them doesn't belong there...
Five Army deserters wander the post-apocalyptic, post-industrial LA landscape seeking shelter from an increasingly toxic environment and poisonous rain.
A town is terrorized by killer clamps! It's up to the chief of police, a scientist and the girl next door to stop this nightmare.
Filmed only a few months after Tatsumi Hijikata’s first explosive public butoh performance, “Gisei” features Hijikata and members of his Asbestos Hall Troupe in a brutal allegory of a closed society. Shot by noted Japanese film scholar Donald Richie, “Gisei” still conveys the shock that Japanese audiences in 1959 must have felt at the birth of Hijikata's ankoku butoh, or "dance of darkness". Richie met Hijikata through mutual friend Yukio Mishima. They decided to collaborate on a film about segregation. Richie memorialized the film in his diary: “It is more than ever about the death of an individual, a distinct kind of human sacrifice.”
When everything seemed to be going normally, an event will change the life of a security guard forever.
Academic researchers are chased by a nuclear-hot specimen of ancient Mayan blob.
The legendary Loreley has been living for centuries in a grotto beneath the river Rhein in Germany. Every night when the moon is full, she turns into a reptile-like creature craving for human blood. When one girl after another of a nearby boarding school is killed by her, a hunter named Sigurd is engaged to kill the monster.
Maternity wards echo with the patter of tiny claws as more murderous baby-faced monsters are born. But rather than kill their monstrous off-spring during delivery, cursed parents flee to secret incubation hide-outs.