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Salvage Hunters - (Feb 27th)
Celebrity Help My House Is Haunted - (Feb 27th)
The Bold and the Beautiful - (Feb 27th)
Lets Make a Deal - (Feb 27th)
The Price Is Right - (Feb 27th)
The Young and the Restless - (Feb 27th)
Shifting Gears - (Feb 27th)
George Clarkes Building Home - (Feb 26th)
The Last American Vagabond - (Feb 26th)
The Tommy Tiernan Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Match of the Day - (Feb 27th)
Deadline- White House - (Feb 26th)
The Curse of Oak Island - (Feb 26th)
Rogue Claimers - (Feb 26th)
Surgeons- At the Edge of Life - (Feb 26th)
Phone Scams- Dont Get Caught Out - (Feb 26th)
Scotlands Home of the Year - (Feb 26th)
Tyler Perrys The Oval - (Feb 26th)
The Joe Schmo Show - (Feb 26th)
**A remarkable work.** This is one of those films that I decided to watch without having a clear idea of what I was going to find. I know that there are many people who like to know, read and even watch the trailers to decide what to watch, and I also do this moderately, but one of the sensations I like most in the cinematic experience is surprise, that feeling of pleasure, difficult to describe, that happens when a film pleases us and surprises us. Of course, the opposite could happen, the surprise could be bad, and the film could be magnificent rubbish. It happens! But I think you understand me... Robert Altmann is not a director I know much about. As far as I remember, I've only seen one film of his, “Shortcuts”, and I wasn't particularly impressed. However, I think any director has their ups and downs, and you can't categorize anyone for just one film or two. In this film, Altmann surprises in a positive way, with very careful direction and an attention to detail that I was very pleased with. The cinematography is good, the editing is very well done, and the rhythm is quite pleasant, with no dead moments. The opening scene is a true cinematic masterclass, with almost ten minutes without cuts and lots of camera movement. And throughout the film, the feeling that prevails is that we are led to peek, in secret, into a story that no one wants to be known. The script fits perfectly into this feeling of secrecy, taking us behind the scenes of the film industry through the hands of an arrogant and obnoxious producer who finds himself the target of anonymous death threats. He decides to question the person he suspects of, a screenwriter he ignored for many months, and ends up killing him. From then on, viewers are invited to follow him in his attempts to hide everything, along with the studio he works for, which has little interest in scandals. This is, obviously, a punch in the stomach of the Hollywood industry, where there is no shortage of unscrupulous, arrogant, pedantic, obnoxious people, willing to do anything for ambition, and where the moral conduct of the studios has not always been the most immaculate, preferring to ignore and /or hush up compromising situations whenever possible. With these characteristics, the film had everything to cause hives in many people within the industry. However, it did surprisingly well, garnered a lot of praise, a good box office and was nominated for three Oscars, continuing to be, even today, a film that is regularly shown on TV channels specializing in films. If the technical quality and the intelligent and scathing story are fundamental, the cast also contributed with the union of talents of several renowned actors. Tim Robbins leaves us with one of his most notable works as an actor, with a consistent and impactful acting, and is elegantly accompanied by Greta Scacchi who, in addition to resisting the idiotic idea of appearing naked for no reason, knew how to interpret her character in a deep and controversial. In addition to them, the film also features good performances by Pater Gallagher and Whoopi Goldberg in minor characters, and with a veritable rain of cameos and brief appearances by actors, screenwriters and others, playing themselves, with many of them agreeing to donate the salary for that single day of filming for a social project at the time. The procession of notables is almost endless, making this film perhaps the American film with the most cameos and guest stars in the history of commercial cinema.
A strange old woman allows a teenage runaway and a young orphan to stay in an abandoned house that overlooks the sea. However, when a menacing entity threatens their new home, they must band together and face their fears to save it.
Captain Tom Rowland and Commissioner X are sent to Pakistan to destroy the Red Tigers gang, responsible for smuggling drugs from Afghanistan into the United States.
Erich Kästner’s beloved novel has been adapted for film or television six times since its publication in 1929; this 1935 British version was the first in English. Believed lost for decades, it was recently rediscovered by the BFI and has now been restored. The film moves the action from Berlin to London, where Emil goes to stay with his grandmother and cousin. Thereafter, the tale of Emil’s adventures with a gang of streetwise London children faithfully follows the original plot.
A TV adaptation of the classic Alexandre Dumas novel. Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmond escapes disguised as the dead body. Now free, Edmond must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him.
A recently released patient from a mental institution returns home with her sister, only to face disturbing events between her stepmother and the ghosts haunting their house; all of which are connected to a dark past in the family's history.
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion...
Fifth Jerry Cotton Movie. A rich capitalist is blackmailed and threatened with the murder of his daughter.
Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.
The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.
A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.