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Oh Luke you wild beautiful thing! Luke (Paul Newman) lands himself in a Deep South prison farm for drunkenly cutting the heads off of parking meters. Once at the farm Luke refuses to be ground down by the system and its grinning warden (a brilliant Strother Martin). As things role by Luke becomes something of a hero to his fellow inmates and this is not lost on the authority in charge of the farm. Things are sure to come to a head as Luke rebels to the point of no return... Division of Corrections. Road Prison 36. The close examination of Cool Hand Luke over the years has rightly thrown up the fact that it's a Christ allegory. Which is just fine given that Stuart Rosenberg's film is one of the finest films that the 60s had to offer. It also boasts, arguably of course, the Paul Newman signature role (yes even better than The Hustler). As the title suggests, Cool Hand Luke, both the film and character, there is a great deal of cool here, in fact for a great deal of the first half of movie it's laced with comic touches as we warm easily to the "rebel against the system" machismo and charm that Newman provides as Lukas Jackson. Yet the film then shifts considerably at the mid-point to give us something far more potent and dramatic to alter any preconceptions the audience had of this just being a movie about a macho loner earning our sympathy. Calling it your job don't make it right Boss. Much in the film has been firmly ensconced in the memorable moments department, 50 eggs, tar that road quickly, the "Kick a Buck" poker game, "still shaking boss", a mountain of rice to be eaten, sneezing bloodhounds, the boxing match and one of the greatest and most iconic of tag-lines ever, "what we got here is a failure to communicate", all forming part of a truly great whole. However, revisiting the picture often brings the realisation that so much more is on offer than at first thought. Luke is a real war hero (this has been missed by both pro and amateur critics) whose crime is pretty tame for the sentence he finds himself faced with. The Dragline (George Kennedy kicking up a storm of acting quality) and Luke friendship that builds with grace and thunder, sexual frustration of the incarcerated male and a mother and son arc that attacks the soul and lets Newman show many of his acting peers just how grief should be acted out on screen... "Well, I don't care if it rains or freezes, Long as I have my plastic Jesus, Riding on the dashboard of my car. Through all trials and tribulations, We will travel every nation, With my plastic Jesus I'll go far" With Newman, Kennedy and Martin holding court with every scene they are in, it would be easy at first glance to ignore the supporting roles, but Rosenberg ensures that supporting players make telling marks. It's a roll call of sweaty and twitchy character actors that features the likes of Anthony Zerbe, Joe Don Baker, Clifton James, Harry Dean Stanton, Dennis Hopper, Morgan Woodward, Wayne Rogers and J.D. Cannon. Filmed in Technicolor and Panavision, Rosenberg and cinematographer Conrad Hall do an amazing job of making Stockton, California feel like the actual Deep South. Film unfolds to the backdrop of a sun drenched land inhabited by life's unfortunates and the supposed upstanding face of American officialdom... Iconography and martyrdom unbound, Cool Hand Luke is a slow-burn classic of deep thematic worth. 10/10
**Celebrate rebellion at a time when everything deserved to be questioned.** The late sixties marked the rise of a culture of rebellion and challenge to the established order. Young people, university students, minorities, suddenly society goes into upheaval and begins to question and make demands. In a very specific way, I think this film fits very well into this movement, giving us the story of a man who made mistakes and paid – that's for sure – and who, between hits and misses, wanted to find his own space in the world and live life on his terms. Luke Jackson is truly a non-conformist man and the face of a generation of people increasingly dissatisfied with the society in which they live. The film makes clear that he had everything in his hands to have other destiny, a stable and comfortable life, but that his own actions ruined everything. Why? Because that wasn't enough, and he wanted something different. Maybe he didn't know exactly what he wanted, but he knew exactly what he didn't want: to feel subjugated. This expresses what American society, particularly young people, had been feeling: no more meaningless rules, absolute dogmas, ostracism and sacred cows. In that prison where even to urinate or drink water they have to ask permission, Luke questioned all. A good story, very well written and with magnificent dialogues, is accompanied by a good work of cinematography, sets and costumes, and an effective direction guaranteed by Stuart Rosenberg. It is in the editing work that I felt the biggest mistakes were made, giving the film an uneven rhythm, as the film was composed of a collage of episodes from Luke's time in that work camp. That is, it lacks the idea and feeling of unity and fluidity, with several situations similar to each other and a certain absence of dramatic tension, more palpable in the final half. Paul Newman provides a strong and charismatic lead and was a safe bet to play the rebel hero. Fortunately for us, the film has the support of several other great actors in supporting roles, preventing it from being a one-man effort. George Kennedy, who won the Oscar for Best Supporting Actor thanks to this film, stands out from the crowd thanks to a careful performance, the best of this actor's career. Worthy of mention are also the efforts of J. D. Cannon, Jo Van Fleet, Lou Antonio and Strother Martin.
A woman meets an enigmatic stranger on a European trip. Their instant attraction faces challenges from life, duty and secrets that change her life forever.
In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.
George works at a crematorium by day and loves baking by night. His two passions soon overlap a little too much.
In the 1980s, the life of a family in a small village is determined by just one issue: the mother's body weight. Her husband Werner decides that she needs to lose weight, Cornelia suffers as a result and their daughter Ela is caught in the middle.
Patrick, Shiv, Rian, Oli, and Conor, who grew up together, are now thirty. Rian has moved away, but his money keeps him clinging to a past vision. Oli is fading, and Conor has a baby and a business plan. Patrick and Shiv are in love, but an old secret opens new wounds.
A twisted journey of two women’s desperate flee to escape the clutches of Skylight, an insidious cult. Lured in by the promise of “freedom” in the isolated desert campus called The Aviary, Jillian and Blair join forces to escape in hopes of real freedom. Consumed by fear and paranoia, they can’t shake the feeling that they are being followed by the cult’s leader, Seth, a man as seductive as he is controlling. The more distance the pair gains from the cult, the more Seth holds control of their minds. With supplies dwindling and their senses failing, Jillian and Blair are faced with a horrifying question: how do you run from an enemy who lives inside your head?
While re-evaluating her life, a mother relies on her stoner son and his awkward brother to keep life interesting. When an unlikely romance blossoms between the youngest son and the girl next door, she realizes the key to her happiness can be found where she least expects it.
Takatora Kureshima (Kamen Rider Zangetsu) visits a former Yggdrasill Corporation experimental project site located in the poverty and conflict stricken Republic of Torukia. He is visiting the site for the first time in 8 years, and is suddenly attacked! Suprised he stumble and falls into a giant hole which leads into an underground city. This underground city is the most dangerous place in the republic, in which many young men are killed defending themselves while trying to survive. These men use Lock Seeds and Drivers to transform into Armored Riders. Due to the fall Takatora has lost his memory. He is helped by the leader of Team Orange Ride. Unbeknownst to them, there are cameras hidden all around the underground city. The ones behind the cameras are responsible for the conflicts in the city. One man in particular is seeking revenge on Takatora for a specific reason...
An archaeologist believes a Mexican woman is the reincarnation of an Aztec princess.
After narrowly avoiding a car crash, John is haunted by visions of a gaunt man in a decomposing suit.