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Rocketeer is directed by Joe Johnston and co-written by Danny Bilson, Paul De Meo and William Dear. It is based on Dave Stevens' comic book The Rocketeer. It stars Billy Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton and Paul Sorvino. Music is scored by James Horner and cinematography by Hiro Narita. It took eight years to get to the screen, with many rewrites, changes in personal, changes in setting and etc, the only thing consistent was Disney's inconsistency. Once out the film received generally positive reviews but posted only a small profit, in the wake of a Tim Burton inspired reinvention of the Super Hero genre, Rocketeer fell away into cultdom, sequels planned were shelved and its reputation remains to this day one of being a misfire. Unfair say I! Rocketeer is a lovingly crafted adventure film, nodding towards the serials of the 1930s, it's awash with period Hollywood delights, Art Deco imagery, has a damsel in distress, square jawed heroics, Nazi villains, wonderful effects and a blunderbuss Zeppelin finale. Backed by beautiful smooth tone photography and an evocative heart stirring music score, it's a family friendly blockbuster that ticks all the requisite boxes. The quality of the action sequences still hold up today, and Johnston, who wanted the job big time, directs with a knowing grasp of the setting, and crucially he never once loses a grip on tone and pacing. There's no self parody here, no deep Fruedian dissection of the main character, just a honest to goodness good against bad axis, with a romantic cause deftly wafted over proceedings. The role of Cliff Secord (Rocketeer) proved hard to cast, where Vincent D'Onofrio turned it down and "name" actors such as Dennis Quaid, Emilio Estevez, Kurt Russell and Bill Paxton auditioned for the part. Paxton, it's believed, was very close to getting it as well. Disney wanted an A list man, Johnny Depp and Kevin Costner were mooted, but Johnston had a feel for unknown Billy Campbell and managed to convince nervous Disney heads that he was perfect. Much of the scorn that has flown towards Rocketeer has landed at Campbell's door, again, this is unfair. It's hard to tell if one of those A list actors could have made the character work better, for it helps in this instance to not have a familiar face propelling the adventure. There's an innocence, an awkwardness to Campbell's portrayal that just sits right for a guy stumbling upon a rocket pack and finding himself submerged in a chase and harry battle against bad. He also has the looks, a handsome dude who creates a homespun based chemistry with the sensuous Connelly. It's Dalton's movie, though, he's having a devil of a time as the chief villain. Modeled on Errol Flynn and the spurious notion that he was once a Nazi spy, Dalton has the looks, the gusto, the moustache twirling shiftiness and a voice perfect for such material. A roll call of great character actors fill out the support slots, with Terry O'Quinn, Paul Sorvino and Ed Lauter particularly striking the right chords. A smashing piece of escapism, no pretensions or ideas above its station. The willingness to tap into the basic premise of a comic book actioner and entertain in grand Hollywood terms, to be applauded. And I do, and I do love it so. 8/10
Very much enjoyable, this. 'The Rocketeer' exceeded my expectations in truth, I wasn't expecting much given the opening few minutes. However, thankfully, it ends up producing an entertaining 108 minutes. Cool superhero, great score and a likeable cast list. The premise is properly bonkers, especially towards the end, but they make it work and deserve credit for doing so. There are numerous recognisable faces onscreen, all of the main talent give good performances. Billy Campbell plays the lead role, Cliff. I've (relatively) recently become aware of him via television's 'Cardinal' - which is outstanding btw, check it out if you can - and loved him in that, he's also very good in this. Jennifer Connelly (Jenny) and Alan Arkin (Peabody) are also involved, as are Paul Sorvino (Eddie) and Timothy Dalton (Neville). I enjoyed Dalton, he portrays his role very well. The pacing is solid, thanks also to the noteworthy action and James Horner's score. All in all, this is a film I would definitely recommend; it's certainly nearer the top than the bottom of Disney's live-action offerings up until 1991.
Billy Campbell was actually extremely believable in this and, honestly, I don't think that they could have found anyone better to play the evil Nazi Erroll Flynn styled actor than James Bond's Timothy Dalton. But, also, I always kind of feel that Campbell has gotten the short end of the acting stick. In all honesty, it's really a horribly fin superhero movie, right down to that amazing retro 1930s serial feel. The entire thing was great and warranted far more fan fare than it received.
I hadn't seen this for over 15 years but as soon as the opening bars from James Horner's score hit my ears it all started to come back to me. This is a stylish adventure story that amalgamates lots of different themes from 1920s America - gangsters, aviation pioneering and a love story into a tale of good v evil and innovative science; we even have some Nazis! Bill Campbell is largely there for his looks, it has to be said - but as our daredevil hero "Cliff" he does inject some fun into the proceedings. He stumbles upon a rocket suit designed by Howard Hughes and decides to master it and put it to good use. Meantime, a comically menacing Timothy Dalton ("Neville Sinclair") is a British Hollywood actor who shamelessly rips off Errol Flynn movies (amongst others) and is prepared to pay some hoodlums handsomely if they can procure the gadget for him. From here on in, it's becomes a good family cat 'n mouser. Nothing onerous or unpredictable with the script; some decent special effects and classy aerobatics - as well as a nice character performance from Alan Arkin keep this all rolling along nicely.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
In 1938, an art collector appeals to eminent archaeologist Dr. Indiana Jones to embark on a search for the Holy Grail. Indy learns that a medieval historian has vanished while searching for it, and the missing man is his own father, Dr. Henry Jones Sr.. He sets out to rescue his father by following clues in the old man's notebook, which his father had mailed to him before he went missing. Indy arrives in Venice, where he enlists the help of a beautiful academic, Dr. Elsa Schneider, along with Marcus Brody and Sallah. Together they must stop the Nazis from recovering the power of eternal life and taking over the world!
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
Batman must battle a disfigured district attorney and a disgruntled former employee with help from an amorous psychologist and a young circus acrobat.
Batman and Robin deal with relationship issues while preventing Mr. Freeze and Poison Ivy from attacking Gotham City.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.