Tyler Perrys Sistas - (Nov 14th)
Drag Race Thailand - (Nov 14th)
The 11th Hour with Stephanie Ruhle - (Nov 14th)
Brilliant Minds - (Nov 14th)
Fugitives Caught on Tape - (Nov 14th)
Letters and Numbers - (Nov 14th)
Big Freedia Means Business - (Nov 14th)
Gingers House - (Nov 14th)
RPA - (Nov 14th)
Watch What Happens Live with Andy Cohen - (Nov 14th)
Love Island Australia - (Nov 14th)
Rip Off Britain - (Nov 14th)
Bangers and Cash- Restoring Classics - (Nov 14th)
Aussie Shore - (Nov 14th)
The Masked Singer - (Nov 14th)
After Midnight - (Nov 14th)
Wicked City - (Nov 14th)
American Pickers - (Nov 14th)
Roller Jam - (Nov 14th)
Forged in Fire - (Nov 14th)
Good watch, could watch again, but it's hard to honestly recommend. This is one of those movies that is good because it is bad, whether or not that is done on purpose, for the purposes of parody. Otherwise it's just a good old jump in "The Way Back Machine" to see a litany of cameos or cheap parts by almost anyone who was famous in the mid-1990s. Though I do feel like most of the actors I liked were essentially wasted, but it is possible that was by design so the Martians could keep the focus for the majority of the movie. Rethinking on the movie almost makes me want a modernization, it has so many little quirks and nuances that really brings it to a special experience. Even if you think it looks terrible, throw this on your queque and slot it in for a Bad Movie Night.
**A film full of black humor, and for that very reason difficult to digest for many people.** Black humor is doomed to be understood by very few, and this film, which is drenched in black humor from beginning to end, paid the price, becoming a minor failure. I believe that, even today, it is one of the less well-appreciated films of director Tim Burton's career, who made films considerably worse than this one. The action takes place in the 90s and portrays a hostile Martian invasion of our planet. The US government (obviously, the other countries have virtually disappeared from the map and only France is mentioned lightly to show the total destruction of the country) is understandably tense: there are military personnel sexually aroused by the idea of using nuclear weapons against the invaders, there are scientists absolutely convinced that Martian technological superiority is reason enough to believe strongly in the good intentions of the visitors, there are politicians worried about the elections. Of course, when it comes time to showdown, the visitors get the upper hand. Perhaps the best thing about this film is the strength and talent of its cast, filled with good actors who wanted to work under Burton's guidance. Jack Nicholson stands out naturally in the role of the president and does an interesting job, being well assisted by a discreet Glenn Close and a young Natalie Portman. Lisa Marie plays an unforgettable role where she doesn't have to say a single word, while Danny DeVito seems to revisit some previous characters to do his job here, which is little (but it's also true that he wasn't given much to do) . Tom Jones makes an interesting appearance. Pierce Brosnan looks like he's having fun while parodying himself. We also have good contributions from Sarah Jessica Parker, Annette Bening, Martin Short, Michael J. Fox, Rod Steiger and Jack Black. Besides, the film is a gigantic satire on the sci-fi B cinema of the 50s and 60s, where it was common to see martian invaders and visitors. The cinematography is colorful, light, and the environment is light, funny. You can feel that the film doesn't take itself too seriously and doesn't want to be taken too seriously. So it works reasonably well, at least for those who accept dark humor well.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
In the year 2084 humans have settled down on Mars and society is considered a utopia. However, there's a group of 4 friends and one of them dies under strange circumstances, something that, in theory, shouldn't happen.
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.
A surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
When a huge alien probe enters the galaxy and begins to vaporize earths oceans, Kirk and his crew must travel back in time in order to bring back whales and save the planet.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.