Gedanken eines unkoncentrierten Violinstudenten

Her first foray into documentary filmmaking was a short called Green Street (1959), a look at an over-loaded freight train departing from Prague. Though only nine minutes in length, Chytilová’s astute editing ensured a visual spectacle.

a lazy girl is depressed and confused of what to do next, after she realizes that she has grown up.

A boy who go through 4 steps of self-acceptance

A grieving widower is offered a pill that can help ease his grief by erasing certain bad memories.

The story of how the media affects Devon's self-esteem which leads her to another dimension.

A poetic documentary portrait about czechoslovakian painter.

Using a unique format of episodes and advertisements: GUNKWORLD is a short film about a horror cult cartoon series on TV where the main characters: Gunkman, Sallysweets and Roboji, are cute monster schoolchildren who terrorize human characters. Outside the TV show, GUNKWORLD begins to advertise its brand through commercials and merchandise, which quickly gains popularity at an unholy rate. The entire planet eventually becomes crazed, all their thoughts replaced with messages from GUNKWORLD. Back in the TV show, Gunkman starts to miss his lines. Gunkman is up to something... As a film, GUNKWORLD overloads the viewer with loud, colorful and compressed visuals, audio, stories and designs, playing with ideas of hypnotic subconscious consumption. It paints a vibrant yet ugly picture of needless ‘over-consumption’ and loss of control. GUNKWORLD is also a love letter to Japanese media, seen from the eyes of a child growing up in Singapore during the 90s.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

The director's life so far.