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The only way for this movie to wow you is to give it some respect. Ultimately, this movie is not for everyone and that's okay. Simply, Skinamarink is a mood piece. Most people come into the horror genre to mock the stupid decisions of the characters, gawk at the intense gore, or to be thrilled in a safe environment. This movie, however, will leave those viewers with nothing. This movie is for the viewers who want to be enveloped by the liminal mood. It sends them back to their childhood, when they were afraid to walk around their house at night. It sent me back to when I would sneak downstairs to try to watch some cartoons and eat cereal, leaving the house dark and quiet so I don't wake anyone else up. Most of this film is a blank screen with VHS-like fuzz that tricks your mind into seeing things that aren't there. The cinematography is brilliant in the way that it always shows you JUST enough that you want to peek around the corner, but you also don't want to. The amount of interpretations of this very simple movie speaks to its density. The symbolism and ambiguity let the mind run wild with theories and explanations. If I were to change one thing, then I would make the movie at least a half hour shorter. It would be way more approachable if it were more like "The Backrooms" by Kane Pixels on YouTube. However, I also feel like the length is necessary to fully set the viewer in the mindset to fully enjoy the second half of the film. Thankfully, there is no producer to get in the way of Kyle Edward Ball's genius film making. I suggest watching this movie at night with no external noise and no distractions, sitting on the floor of your living room to get the full experience. Give it the respect it deserves. And if you can't get into the mood they expect, then you might as well turn off the TV and watch the empty screen for two hours.
I found Skinamarink pretty frustrating. It has moments of extemely effective horror. You'll constantly find yourself searching in the grainy darkness, but you'll rarely find anything. I especially did not like the ending. There are about seven pretty decent endings, I just wish they would fucking pick one. I found myself shouting "just end already!" Unfortunately, the main emotion I felt while watching Skinamarink was tedium, not fear.
In the center of a monotonous suburban existence, Sarah lives silently and in subservience to her icy husband Patrick. They have been together far too long, and Patrick's affections for his wife have all but vanished. Instead, his sexual urges are tempting him to lust after their own son. Realizing how far gone her husband is, Sarah undertakes drastic, shockingly sickening measures to salvage some sense of her life and purge her years of festering resentment.
The Bean Pit follows Barold, a disgruntled employee working for BP (Bean Pit) Beans. His day begins like any other, running routine inspections on the Infinite Bean Pit with his co-worker Benny. What first starts as a “normal” day at work quickly devolves into chaos as Barold inadvertently witnesses the terrors that his corporate overlords are trying to hide. Barold finds himself entangled in BP Beans’ web of conspiracies, and can’t seem to find his way out.
A man who has been having psychic visions of himself killing naked women soon discovers that it's not himself he's seeing, it's his Siamese twin. (yes, they've been separated) So he travels to Hamburg, where the things he's seen start to come to pass…
Rookie cop Sam Staziak has a unique gift: he is a Scanner, which gives him the power to read the thoughts of others, and also to inflict great bodily harm. When a mad scientist begins using mind control to murder police officers, Sam realizes that only he and his unique gift can put an end to the mayhem.
Four sexy young girls are to clean an old house for the new owners. They get delivered an old book full of magic incantations, and while reading it they accidentally bring a cartoon character to life. The cartoon character likes the blood of young girls...
The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.
Margot is a documentary filmmaker looking to meet her long-lost mother and extended family in a secluded Amish community. She and her film crew soon realize the family that welcomes them into their home might be hiding a sinister secret.
A robbery goes horrifyingly wrong when five have a go criminals are forced to take refuge from the police in an old castle. What starts out as 'one last job' quickly becomes a hilarious fun filled journey of ghostly misfortunes.
When Jake and his dream girl, Amanda, contract a mysterious zombie virus, they end up on the run from Cass, a teen psychic sent by the government's top-secret Necrotic Control Division to track them down as they search for a cure.
Doctor Mišić comes to the Jabučevački cacstle, a place known as haunted by ghosts and wraiths. He's stubborn supporter of common sense and logic, taking all assumptions about transcendent world and fourth dimension to be silly. However...